"The camera strips woman right down to her skin," proclaimed the ads,"...lays bare the secrets of her mind and body!" Using outtakes from MONDO CANE as their foundation, Directors Gualtiero... See full summary »
Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the ... See full summary »
Two friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during which reveals the deepest human depths.
Robert Carmichael, is a talented cello player in the town of Newhaven. He becomes associated with several other unsavory teenagers and he is soon tempted into the use of hard drugs like cocaine and ecstasy.
Stephanie de Whalley
A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill ... See full summary »
The character of Samuel Cartwright in the film is stated to be Jewish; however, the real-life Samuel Cartwright was not. This change makes his character more ironic because he supports subjugation of black people despite being a minority himself. See more »
'Questo film è un documentario. I fatti sono storicamente avvenuti ed i personaggi sono realmente esistiti.' Which translates to: 'This film is a documentary. The facts historically happened and the persons really existed.' See more »
The directors' cut of Addio Zio Tom draws parallels between the horrors of slavery and the rise of the Black Power Movement, represented by Eldridge Cleaver, LeRoi Jones, Stokely Carmichael, and a few others. The film ends with an unidentified man's fantasy re-enactment of William Styron's The Confessions of Nat Turner. American distributors felt that such scenes were too incendiary, and forced Jacopetti and Prosperi to remove more than thirteen minutes of footage explicitly concerned with racial politics for American and other Anglophone audiences. See more »
Either version is certain to provoke a strong reaction
The story goes that when this played Times Square it caused a riot. I have no idea if its true or not, but if it did happen I can see why.
The film is an examination of race relations that focuses on slavery. As an indictment of the institution of slavery this film can not be topped. This is a nightmarish look at what slave mills must have been like almost 200 years ago.
The film exists in two versions that are very different different, and if you ever wanted to see how one film could end up as two different films, look no farther than this film (both versions are in the Mondo Cane box set)
Both films contain much of the same footage cut for different effect.The original Italian cut deals more heavily with race relations now, while the American version deals more with the slavery aspect. The final moments of both versions makes more sense in context of the Italian version since in the final moments we see that in many ways things have not gotten all that much better for the black race. Both films also have a good amount of footage unique to that version. I doubt seriously that the footage could be combined to make one super film since you'd end up with a third film with a third point of view.
I like both versions of the film. I think that right or wrong this is a film that will get you talking and thinking and wondering, which is what the film is suppose to do. I can't say that one is better than the other, both are flawed, however both should be seen, preferably with in a day or so of each other since the duel versions play off each other in unexpected ways.
See these films., But be prepared to get angry. You may not get through them, you may not like them, but you will be provoked into a reaction on some level. For better or worse you will be challenged and moved which is what the point of the film is.
9 out of 10.
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