Two friends meet again to share their last days in an old house where everything happened a long time ago. They gather a group of people, which results in a disastrous turn of events, during which reveals the deepest human depths.
"The camera strips woman right down to her skin," proclaimed the ads,"...lays bare the secrets of her mind and body!" Using outtakes from MONDO CANE as their foundation, Directors Gualtiero... See full summary »
Robert Carmichael, is a talented cello player in the town of Newhaven. He becomes associated with several other unsavory teenagers and he is soon tempted into the use of hard drugs like cocaine and ecstasy.
Stephanie de Whalley
Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the ... See full summary »
A look at the careers of Gualtiero Jacopetti and Franco Prosperi who invented the mondo genre with MONDO CANE in 1962. It follows their career until their split in following the making of GOODBYE UNCLE TOM in 1971.
DECAMERONE NERO's German DVD has a Super-8mm version of "Goodbye Uncle Tom", (German audio only) as a special feature on the disc. See more »
'Questo film è un documentario. I fatti sono storicamente avvenuti ed i personaggi sono realmente esistiti.' Which translates to: 'This film is a documentary. The facts historically happened and the persons really existed.' See more »
The movie was originally released in Italy in a 123-minute version and immediately withdrawn when the directors were sued for plagiarism by writer Joseph Chamberlain Furnas. It was re-released in March 1972 in a re-cut 135-minute version under the title 'Zio Tom.' See more »
MONDO CANE and AFRICA ADDIO creators Gualtiero Jacopetti and Franco E. Prosperi take us on a journey through time, back to the mid 1800's, not too long before the civil war. The movie is styled like one of their previous documentaries, with actors talking to the camera as though being interviewed, and just about every form of human cruelty being enacted on the Africans who have been dragged overseas to become slaves.
The movie is certainly disturbing, and it did indeed enrage me that ancestors of mine took part in this treatment of fellow human beings. But the movie lost me whenever it tried to create a parallel between the climate between blacks and whites in the 1800s and the 1960s.
Not that there weren't (and, unfortunately, still are) problems with racial tension in this country, but the movie seems to think that the average black person is still a savage at heart, just waiting for the right moment to break out an axe and slaughter the first white person he comes across. The movie climaxes with a radical black man reading The Diary of Nat Turner and imagining doing just that, including a horrific moment in which he smashes a baby's head against the wall.
To me, the movie seems to have a negative opinion of just about everyone. Obviously, due to its decidedly anti-slavery stance, the slave traders are viewed as sick, inhuman monsters with only the faintest mask of civility on the surface. But the African characters are portrayed largely as ignorant buffoons, too dim-witted to understand what's happening to them.
Later, during the modern day scenes, the sole black character is shown as having a major chip on his shoulder that has driven him nearly insane with rage, while the white people are a bunch of care-free bubble heads. Such generalizations and lack of depth or character development greatly lessens the power the movie may have had.
But, as a purely gut-busting exercise in sleaze and disgusting imagery, GOODBYE UNCLE TOM sits confidently alongside other such gross-out movies as CANNIBAL HOLOCAUST, SALO and MEN BEHIND THE SUN. Also, like those movies, GUT (hmmm, interesting abbreviation) goes so outrageously over-the-top in depicting its atrocities, most of the movie's true power is lost, and it becomes little more than a freak show.
I hesitantly recommend the movie for fans of sick cinema as a curiosity. I warn pretty much everyone else to stay far, far away.
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