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6.5/10
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Two documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.Two documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.Two documentary filmmakers go back in time to the pre-Civil War American South to film the slave trade.
Stefano Sibaldi
- Narrator
- (voice)
Dick Gregory
- Self
- (uncredited)
Gualtiero Jacopetti
- Self
- (uncredited)
Ernest Kubler
- Whip
- (uncredited)
Yayoi Kusama
- Self
- (uncredited)
Franco Prosperi
- Self
- (uncredited)
Shelley Spurlock
- Girl
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe movie was originally released in Italy in a 119-minute version and immediately withdrawn when the directors were sued for plagiarism by writer Joseph Chamberlain Furnas. It was re-released in March 1972 in a re-cut 136-minute version under the title 'Zio Tom.'
- Crazy credits'Questo film è un documentario. I fatti sono storicamente avvenuti ed i personaggi sono realmente esistiti.' Which translates to: 'This film is a documentary. The facts historically happened and the persons really existed.'
- Alternate versionsBefore receiving a UK cinema certificate in 1973 the film was extensively cut by around 30 minutes by the BBFC with heavy edits to rape scenes, footage of sexual experiments, graphic violence, the fantasy murder sequence, and the opening scenes on the slave ship.
- ConnectionsFeatured in Adam & Yves (1974)
Featured review
Many people who have claimed to see this film have not. Most of those who have seen it, have not understood. GOODBYE UNCLE TOM was directed by Gualtiero Jacopetti & Franco E. Prosperi, the two men who pioneered the documentary movement that came to be known as the "Mondo" film, a term the two dislike immensely. Hot on the heels of their controversial and still-relevant AFRICA ADDIO, it was meant to exonerate them from accusations of racism. Ironically, it would do the exact opposite. It was developed as an idea to adapt the novel "Mandingo" as an historical, documentary style drama. What emerged was a shocking, difficult-to-watch-at-times, treatise on the horrors of slavery, and the source of racism in America, if not the world, today. It was the filmmakers' intention not to pander to a politically correct theory that slaves of the 1840's had a 1970's awareness of their situation. The events are all historically correct. Many of the characters are people who actually lived. The dialogue is verbatim from true manuscripts of the day. The racism is a genuine depiction of plantation life of the day. It was felt that glossing over the African experience in America would be an insult to the pain and suffering of the millions who survived the "middle passage' only to welcome a life a slavery, no different from an animal or piece of property.
Years after it's initial release, the directors have expressed a regret at not opening the film with an explanation stating that this was a film about the emotions of that bygone era, not of the filmmakers themselves.
The controversial final scenes, which take place in contemporary America, are based on "The Confessions of Nat Turner", and are meant to represent an angry, reactionary vengeance on behalf of the millions, with whom the character identifies. Malice for sure, but not unmerited malice. This film should cause strong emotions. Any film that tackles a moral issue must cause debate and conjecture if it is to succeed. What makes the film even more extraordinary is that it succeeds without claiming a moral superiority, or taking a moral stance. What appears on screen are the most graphic, realistic depictions of the North American slave trade of the 19th century, and this film should be required viewing in Black History classes on college campuses, and high schools all over the world, particularly in America. This film preceded ROOTS by six years and stands as a much harsher indictment of the evils of human bondage. This is one of the bravest works of cinema and remains a misunderstood humanitarian masterpiece.
Years after it's initial release, the directors have expressed a regret at not opening the film with an explanation stating that this was a film about the emotions of that bygone era, not of the filmmakers themselves.
The controversial final scenes, which take place in contemporary America, are based on "The Confessions of Nat Turner", and are meant to represent an angry, reactionary vengeance on behalf of the millions, with whom the character identifies. Malice for sure, but not unmerited malice. This film should cause strong emotions. Any film that tackles a moral issue must cause debate and conjecture if it is to succeed. What makes the film even more extraordinary is that it succeeds without claiming a moral superiority, or taking a moral stance. What appears on screen are the most graphic, realistic depictions of the North American slave trade of the 19th century, and this film should be required viewing in Black History classes on college campuses, and high schools all over the world, particularly in America. This film preceded ROOTS by six years and stands as a much harsher indictment of the evils of human bondage. This is one of the bravest works of cinema and remains a misunderstood humanitarian masterpiece.
- How long is Goodbye Uncle Tom?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- White Devil: Black Hell
- Filming locations
- Port-au-Prince, Haiti(Majority of interiors and exteriors)
- Production company
- See more company credits at IMDbPro
- Runtime2 hours 3 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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