Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.Written by
Darren Aronofsky initially wanted the three main heroin addicts featured in the film (Harry, Marion, and Tyrone) to be much younger than they were in Hubert Selby Jr.'s novel and screenplay. Aronofsky felt that changing the principal characters' ages to around 14 to 16 would further demonstrate the devastating impact of drugs and lead to a greater emotional reaction from the audience. Selby agreed with the director, however the film's producers felt that American audiences would find the film too horrific if young teenagers were to experience such awful events. Selby and Aronofsky lobbied for the characters to be made younger, but producers argued that the film could not be shown in theaters if the protagonists were made out to be teens. Selby acquiesced to the point, but Aronofsky only reluctantly agreed to continue the project with the older characters. See more »
(at around 1h 35 mins) When the two ladies visit Sara and are outside sitting on a bench, you can clearly see at the right lower part of the bench the cotton trying to appear as snow. See more »
[trying to tell the doctor that her pill addiction is making her mixed up and confused]
Everything's all mixed up, confused.
[writing a new prescription]
That's nothing to worry about. Just get this filled. Make an appointment for a week.
See more »
The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked". See more »
The edited version replaces the shot of Marion and another woman having sex with two men with a shot of Marion partially clothed climbing on top of a man. Also, all the shots of the double-ended dildo and the shots of Marion and the woman having sex on it have been replaced with alternate camera angles and shots that hide any indication that the two are having anal sex on it. Some shots were also re-used to hide the close-ups of the two butts slamming together. See more »
Bugs' Got a Devilish Grin Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
Well, I´ve seen "Pi" and was fascinated. Now, there´s "Requiem for a dream" and my expectations were very, very high. That can be the downfall for a movie, but in this case I wasn´t disappointed. Aronofsky proves not only that he can direct a "bigger" movie, he also shows how one can do so without selling out. To be more precise: "RFAD" is one of the most disturbing and depressing movies that came out of the US for a looooong time. From the opening scene to its final curtain it´s...well, a requiem for the characters, who are all perfectly portrayed by their actors. Ellen Burstyn is unbelievable. The power of her performance can only be compared to that of Björk in "Dancer in the dark". Aronofskys direction is even more experimental than in "Pi" and some of his ideas, like his combination of sound and picture are really innovative and give his movie a musical feel -without creating a long music video. On the downside, you could say that this movie offers no hope, no solution - but then, this would´ve been a lousy compromise.
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