Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. An unusual relationship forms as she becomes his protégée and learns the assassin's trade.
Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.Written by
(at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print. See more »
(at around 1h 7 mins) When Harry and Marion get in to a fight, at the exact moment that Marion says "You promised me that everything was going to change", the shot is clearly flopped, as indicated by her bangs and the angle of her head compared with the rest of the scene. See more »
The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked". See more »
The edited version replaces the shot of Marion and another woman having sex with two men with a shot of Marion partially clothed climbing on top of a man. Also, all the shots of the double-ended dildo and the shots of Marion and the woman having sex on it have been replaced with alternate camera angles and shots that hide any indication that the two are having anal sex on it. Some shots were also re-used to hide the close-ups of the two butts slamming together. See more »
The film-making quality is secondary- this film makes you FEEL
Often hype about films lead to disappointment and after waiting 14 months after release for my local cinema to show this film, I was done thinking about it. Thank goodness too, rather than challenge my brain (not hard to do unfortunately) this film went straight for the heart, ripped it out and kicked it around the floor for 90 minutes. As the addictions plunged further into the depths of Hell, I felt myself more and more arrested by the film. I've never left a film shaking or feeling physically ill- not including Pearl Harbour, of course :) You want to look away, but cannot.
This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.
In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.
657 of 800 people found this review helpful.
Was this review helpful to you?
| Report this