Sara Goldfarb (Ellen Burstyn) is a retired widow, living in a small apartment. She spends most of her time watching TV, especially a particular self-help show. She has delusions of rising above her current dull existence by being a guest on that show. Her son, Harry (Jared Leto) is a junkie but along with his friend Tyrone (Marlon Wayans) has visions of making it big by becoming a drug dealer. Harry's girlfriend Marion (Jennifer Connelly) could be fashion designer or artist but is swept along in Harry's drug-centric world. Meanwhile Sara has developed an addiction of her own. She desperately wants to lose weight and so goes on a crash course involving popping pills, pills which turn out to be very addictive and harmful to her mental state.Written by
(at around 12 mins) When the paper airplane is made it is snub nosed (there is no point on the front), whereas when it is thrown from the tower it has a pointed nose. See more »
[about the failed drug score]
See, everything was going good, and then some dumbass junkie...
Did what? Some dumbass junkie did what? You mean, you fucked it up!
What the fuck is wrong with you?
You promised me that everything was gonna be okay, remember? I fucked that sleaze bag for you and I put myself through fucking hell for you?
There's nothing out there!
I don't give a shit! You fucking loser!
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The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked". See more »
In the opening credits for the edited version, when the title card "Requiem for a Dream" crashes down, underneath it is a red box with red lettering that reads "edited version", making it clear to the viewer that they are not seeing the true version of the film. See more »
Bugs' Got a Devilish Grin Conga
Performed by The Moonrats
Marcel Reginatto - Saxophone, Vocals Brian Emrich - Bass Guitar, Vocals
Oscar Oñoz - Trumpet, Vocals
Theodore Birkey - Keyboards, Vocals Tico Torres (as Hector Torres) - Percussion, Vocals Darren Aronofsky - Vocals
Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC See more »
The film-making quality is secondary- this film makes you FEEL
Often hype about films lead to disappointment and after waiting 14 months after release for my local cinema to show this film, I was done thinking about it. Thank goodness too, rather than challenge my brain (not hard to do unfortunately) this film went straight for the heart, ripped it out and kicked it around the floor for 90 minutes. As the addictions plunged further into the depths of Hell, I felt myself more and more arrested by the film. I've never left a film shaking or feeling physically ill- not including Pearl Harbour, of course :) You want to look away, but cannot.
This movie is by no means flawless, but then again I would like to hope that the flaws add to the gritty reality of the film. The ending was truly the most frightening thing I have ever seen in film- forget the cheap scares of The Exorcist, Psycho and the endless bile of the 'slasher flick', this stuff is REAL.
In a country amid a 'war against drugs' this is a powerful film which could do more to turn kids away from drugs than any measly government "task-force" or classroom lecture.
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