The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their teenage daughter, Arrietty, is discovered.
Due to 12 y.o. Anna's asthma, she's sent to stay with relatives of her guardian in the Japanese countryside. She likes to be alone, sketching. She befriends Marnie. Who is the mysterious, blonde Marnie.
Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate, the punishment for her crime.
Chloë Grace Moretz,
When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
After her werewolf lover unexpectedly dies in an accident while hunting for food for their children, a young woman must find ways to raise the werewolf son and daughter that she had with him while keeping their trait hidden from society.
The flags that Umi raises mean U and W in international flag language. The two letters mean, "I wish you a pleasant voyage". At one point, Umi raises the flags that spell out Hokuto, which Shun translates for the audience. Shun's flags on the tugboat say UW MER, which are seen again in Sachiko's painting. See more »
Although the movie takes place in the early 1960s, the "Coke" sign over the store (at around 6 mins) has a swoosh. That didn't become part of the Coca-Cola logo until 1969. See more »
There's no future for people who worship the future, and forget the past.
See more »
When Umi and Shun board the ship to find out the truth about their parentage, there is a shot that shows a red sign saying "Ghibli" on the front of the ship. See more »
The American version of the film has an additional tag for the end credits, listing the creators of the English dub. The style is completely different from the rest of the credits and the music is an English version of "The Indigo Waves", the choral song from the end of the film. See more »
Not quite one of Studio Ghibli's finest, but still a charming film
I always have been a big fan of Studio Ghibli and of anime. From Up on Poppy Hill is not quite one of Ghibli's finest like Spirited Away, Princess Mononoke, Grave of the Fireflies, Castle in the Sky and My Neighbour Totoro, but it is better than PomPoko and Tales from Earthsea(both are worth watching, but I only consider them decent movies). Even with the rushed ending and a twist that is a touch too cheesy, From Up on Poppy Hill is still a charming film. As to expect, the animation is fantastic, with the beautiful colours and ethereal backgrounds still evident. The music is also wonderful, it does have a pleasant lilt to it and at times reminds me of the score from Kiki's Delivery Service. The song Summer of Farewells is one of my favourite theme songs of any Ghibli. The story is one of the studio's most realistic, and it still has the heart and charm you'd expect from a Ghibli film, especially in the middle, if not quite the depth of Grave of the Fireflies for example. The script has a nice balance of humour and poignancy, it doesn't have My Neighbour Totoro's whimsy but again From Up on Poppy Hill didn't strike me as the kind of film Totoro was, and the characters are likable and engaging throughout. Overall, charming, heartfelt and very likable, Studio Ghibli may have done better but to me seeing as I have enjoyed and most of the time loved their films I don't take that as a bad thing. 8/10 Bethany Cox
31 of 37 people found this review helpful.
Was this review helpful to you?
| Report this