The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop ...
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In occupied France during the WWII, a German officer is murdered. The collaborationist Vichy government decides to pin the murder on six petty criminals. Loyal judges are called in to convict them as quickly as possible.
Irrestisible charm and talent help Serge Alexandre alias Stavisky, small-time swindler, to make friends with even the most influential members of the French industrial and political elite ... See full summary »
Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.
Joey Wellman, a cantankerous American cartoonist, accepts an invitation to come to an exhibition in Paris, because his estranged daughter Elsie is a student there. He arrives with his ... See full summary »
Three intertwined tales. On the eve of the First World War, Count Forbek starts to build a fantastic castle in the Ardennes forest. After the war he uses it to start a utopian society by ... See full summary »
Diego is one of the chiefs of the spanish Communist Party. He is travelling back to Paris (where he lives) from a mission in Madrid. He is arrested at the border for an identity check but ... See full summary »
Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life. Simon does not want any further medical tests, but the couple are forced to ... See full summary »
From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the... See full summary »
The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.Written by
THE YEAR 01 (Jacques Doillon, Alain Resnais & Jean Rouch, 1973) **1/2
Unlike FAR FROM Vietnam (1967; directly preceded by it in my viewing schedule), which the late Alain Resnais was also a part of, this is not a documentary (yet a fairly obscure title in comparison) but more or less a narrative film (thus making the individual input of the three directors indiscernible!) – albeit still of a heavily political and, by extension, dated nature. Incidentally, while an off-screen voice complaining that the credits are hard-to-read is assured that people watching the movie will recognize the actors regardless, I only caught sight myself of a pre-stardom Gerard Depardieu in the very first vignette!
What we have here is the anti-establishment attitude, typified by the May 1968 riots and which would inform several contemporaneous releases, agreeably presented via a series of satirical sketches – not that this alleviates the intrinsic didacticism of such fare. The premise is simple enough: a day and time are set on which all work is to stop; at first, the formerly oppressed classes relish their freedom (for which they also give up their house keys, since property no longer belongs to any individual but to one and all, with elderly people reluctant to embrace this viewpoint forced to improvise in concealing it!) – but soon begin to realize that some vital services simply cannot be abandoned, and themselves start to feel bored with the lack of activity (not even the opportunity to develop relationships suffices to satisfactorily occupy their time)! Eventually, they start taking up new interests, including turning pavements into makeshift gardens – and, so as not to forget where they were coming from, theatrical representations of their former lives are held!
Unsurprisingly, the level of the writing (by someone listed solely under the nom-de-plume Gebe'!) is hit-or-miss and, yet, some of it proves quite inspired: workers in a given position dub themselves like rock groups; a young man's 'novel' pursuit involves the collection of paper money, which has ostensibly lost its value since the onset of "Year One", but he still has amassed a staggering 648 million Francs!; this obvious financial crisis leads to a mass suicide (by way of people leaping out of windows into the crowded streets below) in Wall Street – a scene which recalls a similar gag in the contemporaneous Monty Python vehicle AND NOW FOR SOMETHING COMPLETELY DIFFERENT (1971)!
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