| Cast overview, first billed only: | |||
| Natasha Lyonne | ... | Megan | |
| Michelle Williams | ... | Kimberly | |
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Brandt Wille | ... | Jared |
| Bud Cort | ... | Peter | |
| Mink Stole | ... | Nancy | |
| RuPaul | ... | Mike (as RuPaul Charles) | |
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Katie Donahue | ... | Cheerleader #1 |
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Danielle Rene | ... | Cheerleader #2 (as Danielle Reneau) |
| Cathy Moriarty | ... | Mary Brown | |
| Eddie Cibrian | ... | Rock | |
| Melanie Lynskey | ... | Hilary | |
| Clea DuVall | ... | Graham | |
| Katrina Phillips | ... | Jan | |
| Katharine Towne | ... | Sinead | |
| Joel Michaely | ... | Joel | |
Megan is an all-American girl. She's a cheerleader and has a boyfriend, but she doesn't like kissing him very much, and she's pretty tactile with her cheerleader friends, and she only has pictures of girls up in her locker. Her parents and friends conclude that she *must* be gay and send her off to "sexual redirection" school, full of admittedly homosexual misfits, where she can learn how to be straight. Will Megan be turned around to successful heterosexuality, or will she succumb to her love for the beautiful Graham? Written by Martin Lewison <mlewison@utk.edu>
This film is a biting and hilarious parody of people who not only force themselves into artificial molds but also feel the to make other people fit the same stereotypical molds. The main attack of the satire is on the delusion that homosexuals can be cured by people who are themselves repressed homosexuals.
Deliciously silly victorian roles of males and females are superimposed on the teenagers who struggle not to be who they really are. But the garishly-colored costumes of the 1950's "Father Knows Best" and "Leave It To Beaver" style are as incongruous as the fake role-playing. In the end, at least some of the young victims of this cruelty escape to face a life of being themselves.