6.7/10
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147 user 111 critic

Moonlight Mile (2002)

PG-13 | | Drama, Romance | 4 October 2002 (USA)
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As he copes with the death of his fiancee, a young man befriends her parents and must figure out what he wants out of life.

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1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Joe Nast
... Ben Floss
... Jojo Floss
... Cheryl
Richard Messing ... Rabbi
Lev Friedman ... Cantor
... Server #1 (as Robert Clendenin)
... Server #2
... Mrs. Meyerson
... Mr. Meyerson
Marcia Mitzman Gaven ... Fashion Plate
... Stan Michaels
... Mona Camp
Careena Melia ... Diana Floss
Gary Hetzler ... Speedwalker
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Storyline

A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions. Written by Eileen Peterson, unit publicist

Plot Summary | Add Synopsis

Taglines:

In life and love, expect the unexpected.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality and brief strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Touchstone

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Language:

|

Release Date:

4 October 2002 (USA)  »

Also Known As:

Baby's in Black  »

Filming Locations:

 »

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Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend USA:

$329,771, 29 September 2002, Limited Release

Gross USA:

$6,835,856, 13 March 2003
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In one scene Joe says his birthday is on December, in real life, Jake Gyllenhaal's birthday is also on December. See more »

Goofs

Massachusetts did not have the death penalty in the early '70s. See more »

Quotes

June Mulcahey: [referring to Diana's death] He didn't tell me that you were
[pause]
June Mulcahey: still tied up in all that?
Joe Nast: Really?
June Mulcahey: No.
Joe Nast: Well, you know, it was kind of a deal, the whole thing. The clean-up alone took days. You'd be amazed at what a mess a high-caliber weapon can make, an in a restaurant, all those little pieces of - all of - well anyway, let's just say it was pretty time-consuming. Then you got the whole burial to deal with. This whole coffin business - much more complicated than people think. Standard sizes...
[...]
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Crazy Credits

The credits end with "For all our loves...departed, or yet to arrive..." See more »

Connections

References The Graduate (1967) See more »

Soundtracks

Meet Me in the Morning
Written and Performed by Bob Dylan
Published by Rams Horn Music (SESAC)
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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User Reviews

 
well-written, well-acted
2 June 2003 | by See all my reviews

Jake Gylenhaal reprises (see: Donnie Darko) the sensitive, slightly confused young man searching for truth and its attendant emotional clarity. The characters (with the possible exception of Sarandon) attempt to hide truth, mostly from themselves, with silence and various feats of mental slight of hand. When all is finally revealed, I would have liked to believe that the characters would act nobly the way they do here, even if the character dialogue up to this point has not given all of them razor sharp definition. However, it is the acting of the cast (especially Hoffmann's) that makes us believe they are the people we see at the end of the movie, and their synergy with Brad Silberling's writing/directing makes the film work. (It is particularly revealing that Silberling had Sarandon and Hoffman in mind when he wrote the original draft; rent DVD if possible) We are convinced of the characters' virtue through well-written dialogue and well thought out character relationships. Would Sarandon's "wickedly honest" character really have married a schmuck? No, indirectly taking the heat off Hoffmann's character to prove himself prior to his ultimate acceptance of the truth. What about Bertie? (played by the lovely Ellen Pompeo - read: attractive, not just another hot airhead) Her involvement with the Gylenhaal character adds an extra twist to the Gylenhall-Sarandon-Hoffman triangle and her presence as a love interest adds levity to an otherwise pretty serious subject, but should she really get as close to the Gylenhaal character as quickly as we're led to believe? What do they have in common? The death of someone close and a Rolling Stones song nobody heard of before the title of this movie. Why did their involvement have to be a rapidly flourishing romantic one? I think an I-like-you-and-you-like-me would have been sufficient to complicate the situations in business and on the home front vis-a-vis Gylenhaal's former relationship with Hoffman and Sarandon's daughter. The rest of the character relationships develop naturally, at a well-measured pace, but this one races miles ahead. This is the only real flaw I found with the movie. The soundtrack is fantastic and also shows vision on the part of Silberling in that he conceived of certain key scenes with these songs in mind.


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