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Moonlight Mile (2002)

PG-13 | | Drama, Romance | 4 October 2002 (USA)
As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.


Brad Silberling


Brad Silberling
1 win & 6 nominations. See more awards »




Cast overview, first billed only:
Jake Gyllenhaal ... Joe Nast
Dustin Hoffman ... Ben Floss
Susan Sarandon ... Jojo Floss
Alexia Landeau ... Cheryl
Richard Messing Richard Messing ... Rabbi
Lev Friedman Lev Friedman ... Cantor
Bob Clendenin ... Server #1 (as Robert Clendenin)
Jim Fyfe ... Server #2
Mary Ellen Trainor ... Mrs. Meyerson
Richard Fancy ... Mr. Meyerson
Marcia Mitzman Gaven ... Fashion Plate
Allan Corduner ... Stan Michaels
Holly Hunter ... Mona Camp
Careena Melia Careena Melia ... Diana Floss
Gary Hetzler Gary Hetzler ... Speedwalker


A young man lingers in the family home of his fiancee, after her accidental death. While grieving along with her parents and drawn into legal issues presented by a district attorney seeking justice for the family, he finds himself falling in love with another woman, against his own best intentions. Written by Eileen Peterson, unit publicist

Plot Summary | Add Synopsis


In life and love, expect the unexpected.


Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality and brief strong language | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


In one scene, Joe (Jake Gyllenhaal) says his birthday is in December. In real life, Gyllenhaal's birthday is also in December. See more »


When Joe climbs through the post office window he kicks off the bell. When he gets through the bell is back up on the counter. See more »


Joe Nast: The truth is hard. Sometimes it looks so wrong, y'know. The color's off, the style's wrong, but I guess... I guess it's where the good ones live.
See more »

Crazy Credits

The credits end with "For all our loves...departed, or yet to arrive..." See more »


References Almost Famous (2000) See more »


Love Will Come Through
Written by Fran Healy (as Francis Healy) (PRS)
Published by Sony/ATV Songs LLC (BMI) o/b/o Sony/ATV Music Publishing UK Ltd.
Performed by Travis
Courtesy of Epic Records/Independiente/SINE, a division of Sony Music Entertainment (UK) Ltd.
See more »

User Reviews

flawed but compelling family drama
20 October 2002 | by Buddy-51See all my reviews

In `Moonlight Mile' a middle aged couple, along with their prospective son-in-law, attempt to come to terms with the sudden, senseless murder of their daughter right on the eve of her wedding. Oddly enough, considering the grave nature of the subject matter at hand, it is amazing just how upbeat and sunny much of `Moonlight Mile' turns out to be. This is a film about death that does not come across as lugubrious and morbid – though often at a price. We occasionally sense that it is avoiding the ugly darkness of the subject it has chosen to tackle. Perhaps the film's cheery, optimistic tone is just that spoonful of sugar we need to help the medicine go down.

Writer/director Brad Silberling certainly knows whereof he speaks. He based his tale on the death of his own girlfriend, actress Rebecca Schaeffer, who was slain by a crazed fan in 1989. As a result of his personal experience, Silberling is particularly adroit at dramatizing the utter inadequacy of people's responses to grieving loved ones. He captures with dead-on accuracy the superficiality and hollowness of the clichés, shibboleths and expressions of concern proffered, however well intentionally, in the name of `compassion' and `understanding.' Silberling shows that, in a time of grief this all-encompassing, a family unit must turn in upon itself, shutting out the rest of the world in the process.

This is what happens with the Floss family. Ben and JoJo can speak openly and frankly about their daughter only with each other and with the young man, Joe, who was on the brink of becoming a member of their family and who not only lives with the couple but is all set to become a partner in Ben's commercial real estate company. In a way, Silberling has set a difficult task for himself right from the start. By choosing to not show us Diana before her murder, we find ourselves unable to sense the void her death has left in the lives of these three people. We are caught a bit off guard by the strangely casual tone of the opening sequences in which the family prepares for and attends the girl's funeral. Ben, JoJo and Joe all seem to be taking this shocking death a bit too much in stride. It is hard for us to believe that she has only been dead for three days when the story opens. Yet, on the other hand, we know that people do often manage to find amazing stores of inner strength that help them get through the early stages of a person's death – only to collapse into grief once the funeral is over and all the guests have gone home. This happens to be the case here – though the moments of despair in this film never plunge quite to the depths of those in, say, `Ordinary People.' In fact this might almost be called `Ordinary People-Lite,' a film about grief for a mass audience that doesn't want to be too disturbed by the experience.

That may sound like a more negative assessment of the film than I am trying to convey, for `Moonlight Mile' is an often sharp and incisive piece of moviemaking, intelligently written and beautifully acted by Dustin Hoffman, Susan Sarandon, Jake Gyllenhaal and Ellen Pompeo as the postal worker who falls for the grieving husband-to-be. Set in New England in the 1970's (for no reason I can fathom, actually), the film is really the story of Joe and his coming to grips with the reality of his situation. Essentially weak-willed and eager to please everyone about him, Joe has to decide whether to allow himself to become absorbed into the lives and world of this couple – functioning almost as their surrogate child – or to break away from this co-dependency and strike out on his own, with or without the new woman in his life. The film deftly balances a number of seemingly conflicting moods and tones, as moments of subtle satire and lowbrow slapstick yield to scenes of searing drama and heartbreaking emotion – just as in life. Admittedly, the end of the film may be a bit too neatly arranged and upbeat for this particular material, but the extraordinarily skilled and gifted cast makes us believe it anyway. One might wish for a bit more grit and messiness in the presentation, but `Moonlight Mile' – which has been exquisitely photographed, by the way – still has the power to move us.

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English | Hebrew

Release Date:

4 October 2002 (USA) See more »

Also Known As:

Baby's in Black See more »

Filming Locations:

Gloucester, Massachusetts, USA See more »


Box Office


$21,000,000 (estimated)

Opening Weekend USA:

$329,771, 29 September 2002

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs



Sound Mix:

DTS | Dolby Digital | SDDS



Aspect Ratio:

2.35 : 1
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