10 user 1 critic

Women of the Night (2001)

Not Rated | | Thriller | 9 June 2001 (South Korea)
Three entwined stories of love, lust, danger and revenge.


Zalman King


Zalman King


Learn more

More Like This 

    1 2 3 4 5 6 7 8 9 10 3.9/10 X  

Love, pride and jealousy are aroused when a ranch owner's daughter, called Lizzie, has an affair with a cowboy. Meanwhile a mysterious woman seduces the various lovers of Lizzie, who has ... See full summary »

Director: Rafael Eisenman
Stars: Audie England, Chris Browning, Brion James
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 3.4/10 X  

A woman carrying out a project about the sexuality of men and women is forced to confront a secret from her childhood.

Director: Zalman King
Stars: Costas Mandylor, Heidi Schanz, Valerie Perrine
Barely Brooke (TV Movie 2002)
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Experience this sexy behind-the-scenes look at one of TV's hottest celebrities: Brooke Burke, the Charming, drop-dead host of E!'s® exceedingly popular "Wild On" and "Rank" shows.

Director: Zalman King
Stars: Brooke Burke, Enrique Iglesias
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

Eccentric woman leads guided meditations virtually through forest while sexting with her friend and dealing with her inner demons.

Stars: Jacqueline Lovell, Edward Nyahay, Richard Pugh
Short | Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A pair of pantyhose worn by an attractive woman becomes an object of desire first to her lover and then to herself. In the process, said object displays its seductive power to either compliment human sexuality - or commodify it.

Director: Angel Connell
Stars: Christy Scott Cashman, Eric Scheiner
Fatal Past (1993)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 4.8/10 X  

A mobster's mistress and her bodyguard share a forbidden love and discover they may be doomed by an ominous past life.

Directors: Clive Fleury, Richard Ryan
Stars: Costas Mandylor, Katarzyna Figura, Terence Cooper
Madam Savant (1997)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 4.6/10 X  

A traveling girl stumbles into prostitution, only to become a high priced Madam.

Director: Mike Marvin
Stars: Kira Reed Lorsch, Nichole McAuley, Jeff Rector
Ladies Moaning Loudly (Video 2016)
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Stars: Kim Cattrall, Charlotte Ross, Kelly Preston
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

The sweet girls next door show off their naughty side in this collection of sexy sketches from Playboy Video, including skinny dipping, candid photography, and a rendezvous at a mechanic's garage.

Director: Scott Allen
Stars: Elisa Bridges, Daphne Duplaix, Karen McDougal

We Go Crazy is an autobiography of a woman living in London and the story of how she became the most popular hooker alive .

Director: Kevin Harrington
Stars: Chris Hayes, Joseph Russo, Lauren Werther
Climax (1972)
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Monika feels frustrated and misunderstood. The young wife of the busy and successful civil engineer Kai is often alone.

Director: Roswitha vom Bruck
Stars: Renate Carol, Frank Glaubrecht, Harald Baerow
Climax (1977)
    1 2 3 4 5 6 7 8 9 10 3.8/10 X  

Ana is a young girl with the same problems as any girl her age.

Director: Francisco Lara Polop
Stars: Annie Belle, Silvia Tortosa, Teresa Gimpera


Cast overview, first billed only:
Shawnee Free Jones Shawnee Free Jones ... Samantha
Seymour Cassel ... Sally
Sally Kellerman ... Mary
James Farentino ... Sabatini
Masaya Katô ... Sato
Jacqueline Lovell ... Charlotte
Sandra Taylor ... Molly Mellon
Darren Foy ... Harley
Patrick Budal Patrick Budal ... Jacques Du Masque
Matt George ... Joe
Donna DeLory Donna DeLory ... Mia (as Donna De Lory)
Venesa Talor Venesa Talor ... Emily
Melissa Williams Melissa Williams ... Terra
Carla Garrido Carla Garrido ... Engineer
Niki Harris Niki Harris ... Claire


Late at night, an 18-wheeler rumbles through the rain-slick city streets. In it, a beautiful young woman presses her red lips close to the microphone. Every night she broadcasts from thus traveling pirate radio station, telling steamy stories of love, lust, betrayal and revenge. Her stories are of a lawyer, a comedian, an heiress - all drawn together in a web of passion, desire and betrayal. The broadcasts are a way to take revenge on her murderous father, but he is hot on her trailer and the consequences are sure to be deadly.

Plot Summary | Add Synopsis


Seduction. Betrayal. Vengeance. See more »




Not Rated | See all certifications »






Release Date:

9 June 2001 (South Korea) See more »

Also Known As:

Radio Silence See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital (Stereo)



Aspect Ratio:

1.33 : 1
See full technical specs »

Did You Know?


The scene in which a hooker in lingerie strips down naked in a motel room for an older black man is played by Penthouse Pet of the Month Sandra Taylor. See more »


Performed by Donna De Lory & Cameron Stone
Written by Cameron L. Stone, Donna De Lory
Published by C. Stone Music (ASCAP), All About Eve Music (ASCAP)
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Train Wreck from the undisputed King of softcore pretentiousness
25 June 2009 | by lor_See all my reviews

It's a shame that Women of the Night (shot in 35mm) wasn't afforded a theatrical release: this total misfire cries out for in-depth analysis by film buffs, but the very ease of watching on video makes it very, very difficult to sit through straight to the end. As Marshall McLuhan would tell you, the concentration of attention required in a movie theater is necessary here: video is the WRONG medium for King (hot vs. cool). I suspect it's a film that will be discovered decades from now when maestro Zalman King gets the retro-treatment recently afforded his softcore forebear Joe Sarno.

King has had a most checkered career: starting out on TV in the mid-'60s he was one of many new leading men that Hollywood threw up against the wall but failed to stick (see notably: Michael Parks, Jordan Christopher, Christopher Jones, Michael Brandon and Barry Newman), whose big-screen break was the then-notorious disaster (but since forgotten) The Ski Bum. He moved behind the camera to producing offbeat films in the 1980s, breaking through with the hit Nine 1/2 Weeks, but it wasn't till Red Shoe Diaries wowed those starved-for-softporn cable audiences in the '90s that he earned his Star on the Hollywood Walk of Shame.

To date his career peak is the camp classic Two Moon Junction, one of the inadvertently funniest sex films of all time, thanks to the overwrought script by King. Women of the Night represents his nadir, a nearly unwatchable epic that reveals our auteur has spent quite too much time watching the avant garde works of Resnais and Robbe-Grillet.

Its dense structure is nearly impenetrable and quite off-putting; I'm reminded of the many turgid, overdone LPs created in the late '60s when Brian Wilson, Phil Spector (a most worthy subject for a future King trash roman a clef) and The Beatles were blazing the way with the novelty of multi-track recording techniques, fatal to lesser talents. King's amanuensis here is Sally Kellerman, who narrates the story as a sexy voiced late night deejay (since it's Kellerman she gets to sing too). But that's not enough for King: he has no-talent starlet Shawnee Free Jones as ANOTHER deejay telling not just her own fable of a life story as Kellerman's niece estranged from her wife-murdering mob boss daddy (James Farentino, looking very forlorn in what he must have thought would be a comeback role). Shawnee is a blind deejay, a riff right off the late great Cleavon Little's Supersoul in Vanishing Point (a film I'm sure King would have been proud to have starred in, but didn't get the call).

Shawnee mixes her autobiographical tale with two other intertwined stories featuring unlikely characters, notably a comedienne with a rack (Sandra Taylor) studying striptease for a movie role (!), familiar cable/video face & body Jacqueline Lovell as a sexy executive working for a mysteriously sexy new French boss, a mysterious martial arts "beautiful Asian man" (Masaya Kato) and last but least, Darren Foy, as a painfully hip porno film actor. All of them are clearly undigested phantoms in search of their very own Red Shoe episode, with Lovell and Foy already veterans of that series.

It doesn't help that King adopts a sleepwalking, drugged-out approach to storytelling -meant to be dreamlike but merely soporific. Having the two deejays battle for attention on the soundtrack isn't trouble enough: most dialog scenes are set at low, low volume with music drowning them out. This isn't Brechtian distanciation, but rather a case of hermeticism -where nobody could tell boss King that he was messing up his film with two many layers, both visually and aurally.

The costume and character styling here looks like parody, something from Zoolander or a Saturday Night Live sketch mocking Eurotrash, but King plays it straight. Levity, perhaps an appearance by George Carlin in his hippy-dippy weatherman mode, would have helped. His premise of an 18-wheel truck rolling all night around L.A. as home of a Shawnee's pirate radio station is obviously dated now thanks to the rise of satellite radio, but reeks of ripoff from another French avant garde master, Marguerite Duras' classic Le Camion. By the final reel when King interrupts his narrative sleeping pill with some wakeup violence it is too late to regain the viewer's attention.

Lost in the shuffle here are some dreamy, well-recorded songs by the talented Donna De Lory, who plays Shawnee's deejay sidekick, adding yet more layers to the over-busy soundtrack. Like Farentino, this movie platform did nothing for Donna's subsequent career in our universe, as opposed to the parallel world King lives on. The star of the piece, Miss Jones, also appears to have vanished from the cinema world. Another casualty is Seymour Cassel, most of whose embarrassing (blame King's writing) soliloquies are drowned out by music.

King's universe is an anti-Hollywood whose patron saint would be Robert Altman. Women of the Night seems at times a reductio ad absurdum strategy of the '70s work of Alan Rudolph for Altman: Remember My Name and Welcome to L.A. (latter starring Kellerman) -dreamy film-making inspired by Altman's films maudits Three Women and Images, strangled in pseudo-hipness. Overlapping the dialog in classic Altman fashion, King really stinks up the place in a misguided mix & match approach to having two simultaneous deejay/narrators -it's a gimmick so bad you can't believe he left it in the final cut.

Zalman King is not the "misunderstood artist" he styles himself as; he has clearly studied the possibilities of the film medium, but for the millionth time bad writing can sink any project, whether off the Hollywood assembly line or emanating from Bizarro Hollywoodland. And no amount of layering can hide a null core. Orson Welles had his Rosebud; behind the Oz curtain all King has is an empty Red Shoe.

1 of 7 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 10 user reviews »

Contribute to This Page

Free Movies and TV Shows You Can Watch Now

On IMDb TV, you can catch Hollywood hits and popular TV series at no cost. Select any poster below to play the movie, totally free!

Browse free movies and TV series

Recently Viewed