Bill and Jo Harding, advanced storm chasers on the brink of divorce, must join together to create an advanced weather alert system by putting themselves in the cross-hairs of extremely violent tornadoes.
Communist Radicals hijack Air Force One with The U.S. President and his family on board. The Vice President negotiates from Washington D.C., while the President, a Veteran, fights to rescue the hostages on board.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail. Magnificent foreshadowing and anticipation fill this true-life drama while minute details of the fishing boats, their gear and the weather are juxtaposed with the sea adventure.Written by
Erwin van Moll <email@example.com>
In the Fall of 1991, the "Andrea Gail" left Gloucester, Mass. and headed for the fishing grounds of the North Atlantic. Two weeks later, an event took place that had never occurred in recorded history. See more »
The family members of Billy Tyne and Dale Murphy did not like the movie. In 2000, they sued Time Warner and the other production companies in federal district court in Florida. The district court granted summary judgment to the defendants in 2002. The plaintiffs appealed. In turn, the Court of Appeals for the 11th Circuit could not make up its mind on how to interpret a key Florida statute. The case was sent or "certified" to the Florida Supreme Court to resolve that limited question. See more »
On the USCG Cutter, the officer is referred to as "Captain," but his hat shows the insignia of a Commander in the USN & USCG. Any commanding officer of a seagoing vessel is called "Captain" while on board. See more »
[at the services for the crew of the Andrea Gail]
I knew Billy Tyne, but I did not know his crew very well, but any man who sailed with him, must have been the better for it. Rober Shatford, Dale Murphy, Micheal Moran, David Sullivan, Alfred Pierre... May you rest easy long-liners, in fair winds, and calm seas... For those of us left behind, the vast unmarked grave which is home for those lost at sea is no consolation. It can't be visited, there is no headstone on which to rest a bunch of ...
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I can't think of a "disaster movie" that I liked, so I may be the worst judge. Sebastian Junger's book was engrossing to me for the many things that cannot be expected to translate to the screen: detailed meteorology, a description of the physiology of drowning, the details unearthed in his investigation, and the rough portrait of the people involved that emerges. In the movie, we travel toward a known destination, so the question is, "why make the trip?" The director appears to think that it is to bear witness to the heroism of superhuman George Clooney (not Billy Tyne) as he improbably hangs onto an outrigger during a hurricane with an inextinguishable torch to cut loose a chain threatening to flail them to death. He does! Hurrah! Other crewmen are saved from drowning, too, but they are all doomed, so concentrating on this drama felt unsatisfying. To be fair to the real people involved, this sort of Hollywood action should have been jettisoned, and we should have been treated to a more documentary treatment of the story to do the book justice, as well. The closest we get to that is the painstaking recreation of reality through the setting, costumes, etc. Why wasn't this the movie I wanted made? Because an actual rotting swordfish would attract a bigger audience than a documentary about Gloucester fishermen. Audiences want to see George Clooney and some special effects while they munch their popcorn. This is also why the musical score is an intrusive element that lacks any subtlety, whatsoever. Moviemakers are not so unlike fishermen in this regard, and they cast their nets where the shoals of patrons are, and must use flashy tackle to attract them. If you are a little more discerning in your choices of entertainment, you probably would prefer the book.
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