Buzga the shepherd, an object of ridicule among his fellow villagers, discovers his painting talent and becomes famous. Their envy leads them to paint themselves and try to outperform him, ...
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Title: Naivko (1975)
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Edit
Cast
| Cast overview, first billed only: | |||
| Ljubisa Samardzic | ... | Buzga Mirocki | |
 |
Radmila Zivkovic | ... | Vojka |
| Velimir 'Bata' Zivojinovic | ... | Zile Akademac (as Bata Zivojinovic) | |
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Dragomir Cumic | ... | Milisav (as Drago Cuma) |
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Slobodan Aligrudic | ... | Pura |
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Pavle Vuisic | ... | Gazda Velja (as Pavle Vujisic) |
| Vladimir Popovic | ... | Veterinar | |
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Dragomir Felba | ... | Deda Vukajlo |
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Dobrila Ilic | ||
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Stojan 'Stole' Arandjelovic | ... | Vesko (as Stojan Arandjelovic) |
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Rastislav Jovic | ... | Zivan |
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Dobrila Cirkovic | ||
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Ljiljana Jovanovic | ||
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|
Lidija Manic | ||
|
|
Vladan Zivkovic | ||
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Plot Summary
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Add Synopsis
Storyline
Buzga the shepherd, an object of ridicule among his fellow villagers, discovers his painting talent and becomes famous. Their envy leads them to paint themselves and try to outperform him, but after realizing that only Buzga's paintings are valued, they decide to steal his works. Written by Mario
Genres:
ComedyParents Guide:
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Details
Language:
Serbo-CroatianRelease Date:
27 November 1975 (Yugoslavia) See more »Also Known As:
Der Naive See more »Company Credits
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After political controversy surrounding UZROK SMRTI NE POMINJATI, Zivanovic`s whole career was at stake. And it wasn`t just career. Because Zivanovic is one of the rare Yugoslav film directors that provided for their families by filmmaking. This is why he decided to abandon the urban and edgy setting of his previous work by making I BOG STVORI KAFANSKU PEVACICU. I BOG STVORI KAFANSKU PEVACICU became a surprise smash hit and it helped Zivanovic to land another project.
That other project was NAIVKO a star-studded ensemble comedy which tried to exploit the Serbian rural humor. Basically, this title belongs to the endless pile of such outings that made significant box office in sixties, seventies and especially eighties. Thus it marks Zivanovic`s creative decay.
Even though, Zivanovic managed to smuggle a couple of typically edgy and dark elements into such pre-ordered populist structure but it really takes a film analyst to dig it out. NAIVKO continued his box office streak, but ultimately by making this film, Zivanovic probably wasted one of the last truly unique projects that were left in him uin order to spend a yera of his life and career making a piece of mindless exploitation.