By French law, anyone admitted into the hospital without their consent must be seen by a judge within 12 days. That judge must decide whether these psychiatric hospital patients can be allowed back into society.
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's ... See full summary »
Pier Paolo Pasolini
France, 1425. In the midst of the Hundred Years' War, the young Jeannette, at the still tender age of 8, looks after her sheep in the small village of Domremy. One day, she tells her friend... See full summary »
Lise Leplat Prudhomme,
San Clemente is a film by one of France's premiere documentarians and photographers- Raymond Depardon in collaboration with Sophie Ristelhueber. San Clemente is a psychiatric hospital that is isolated on a small island off the coast of Venice. I would like to say that this is the Italian/French version of Titicut Follies, but Depardon's camera is far more intrusive. Not only are his actions more intrusive, but the subjects (the patients doctors and family members) acknowledge the camera's presence, often conversing with it and or performing for it. Near the end of the film, one woman even swings a bag at the cameraman, in an attempt to strike him. I'm pretty sure the dialogue of this is in Italian as it takes place in a Venetian hospital, despite IMDb saying it is in French. Though it would probably make the film far more interesting knowing what people are saying, I quite enjoyed this from a mere observational standpoint. As always Depardon's cinematography is spectacular. His work is always a treat for the eyes, and San Clemente is no different.
note* English subtitles are now available for this film..YAY!
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