A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize men about to die: both are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad. Earl Partridge's son is a charismatic misogynist; Jimmy Gator's daughter is a cokehead and waif. A mild and caring nurse intercedes for Earl, reaching the son; a prayerful and upright beat cop meets the daughter, is attracted to her, and leads her toward a new calm. Meanwhile, guilt consumes Earl's young wife, while two whiz kids, one grown and a loser and the other young and pressured, face their situations. The weather, too, is quirky.Written by
When Paul Thomas Anderson approached George C. Scott about playing the role of Earl Partridge, Scott threw the script across the room, saying "This is the worst fucking thing I've ever read. The language is terrible." See more »
After Stanley breaks into the library, a wireless mic pack can be seen on his belt when he sits down to read. See more »
In the New York Herald, November 26, year 1911, there is an account of the hanging of three men. They died for the murder of Sir Edmund William Godfrey; Husband, Father, Pharmacist and all around gentle-man resident of: Greenberry Hill, London. He was murdered by three vagrants whose motive was simple robbery. They were identified as: Joseph Green, Stanley Berry, and Daniel Hill. Green, Berry, Hill. And I Would Like To Think This was Only A Matter Of Chance. As reported in the Reno...
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As the credit for Robert Downey Sr. scrolls up the screen, the words "(a prince)" appear next to his name. See more »
The music; the way the camera moves; the performances: this amazing ensemble piece takes everything to the next level. Although the influence of Robert Altman and Martin Scorsese can be felt throughout the whole film, P.T. Anderson doesn't copy them but merely uses some of their trademark techniques to create his very own, unique brand of film.
There are so many creative ideas and standout scenes in this film: I'm sure that, similarly to how filmmakers of Anderson's generation are citing films like 'Nashville' or 'Goodfellas' as their inspiration, the next generation of aspiring directors will be citing 'Magnolia'. The film is not "just" a masterpiece, but also hugely influential and an instant classic. 10 stars out of 10.