
Goodnight Mr Tom (1998)
Goodnight, Mister Tom (original title)Reference View | Change View
- Not Rated
- 1h 41min
- Drama, Family
- 30 May 1999 (USA)
- TV Movie
- 4 wins.
- See more »
Photos and Videos
Complete, Cast awaiting verification
John Thaw | ... |
Tom Oakley
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Nick Robinson | ... |
William Beech
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Annabelle Apsion | ... |
Mrs. Beech
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Thomas Orange | ... |
Zacharias Wrench
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William Armstrong | ... |
Dr. Stelton
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Geoffrey Beevers | ... |
Vicar
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Mossie Smith | ... |
Alice Fletcher
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Peter England | ... |
Michael Fletcher
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Ivan Berry | ... |
George Fletcher
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Harry Capehorn | ... |
Edward Fletcher
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Merelina Kendall | ... |
Postmistress
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Marlene Sidaway | ... |
Mrs. Webster
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John Cater | ... |
Dr. Little
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Denyse Alexander | ... |
Mrs. Little
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Avril Elgar | ... |
Mrs. Ford
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Michael Cronin | ... |
Postmaster
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Pauline Turner | ... |
Annie Hartridge
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Thomas Russell | ... |
David Hartridge
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Stephanie Perry | ... |
Ginnie Thatcher
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Tanya Perry | ... |
Carrie Thatcher
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Edward Clayton | ... |
Train Guard
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Geoffrey Hutchings | ... |
Ralph Briggs
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Mary Healey | ... |
Gladys Rigby
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Hugh Hayes | ... |
Police Constable
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Toby Whithouse | ... |
Dr. Perry
(as Toby Whitehouse)
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Caroline Lintott | ... |
Nurse Green
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Robert Oates | ... |
PC Charnock
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Charles Kay | ... |
Mr. Greenway
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Directed by
Jack Gold |
Written by
Brian Finch | ... | (screenplay by) |
Michelle Magorian | ... | (based on a novel by) |
Produced by
Chris Burt | ... | producer (as Christopher Burt) |
Ted Childs | ... | executive producer |
Ray Frift | ... | associate producer |
Lewis Rudd | ... | executive producer |
Music by
Carl Davis | ... | (music composed and conducted by) |
Cinematography by
Chris O'Dell |
Editing by
Jamie McCoan |
Editorial Department
Marc Eskenazi | ... | video post-production |
Joanna Garrard | ... | assistant editor (as Jo Garrard) |
Casting By
Joyce Nettles |
Production Design by
Don Taylor |
Art Direction by
Mark Kebby |
Costume Design by
Elizabeth Waller |
Makeup Department
Sally Harrison | ... | makeup and hair artist |
Maureen Hetherington | ... | makeup and hair design |
Christine Whitney | ... | makeup and hair artist |
Production Management
Joanna Beckett | ... | unit manager |
Second Unit Director or Assistant Director
Ben Burt | ... | assistant director |
Michael Mallinson | ... | first assistant director |
Steve Robinson | ... | assistant director |
Art Department
Paul Bradburn | ... | prop man |
John Bush | ... | set dresser |
Nicola Chandler | ... | assistant art director |
Colin Ellis | ... | dressing props |
Derek Honeybun | ... | painter |
Bill Keenan | ... | rigger |
John Keenan | ... | stagehand |
Inge Loeffen | ... | assistant art director |
Raymond Perry | ... | property master |
Daniel Rogers | ... | carpenter |
Terry Royce | ... | prop man |
Chris Sibley-Hale | ... | carpenter |
Nick Turnbull | ... | prop man |
Lloyd Vincent | ... | props |
Joe Willmott | ... | carpenter |
Sound Department
John Downer | ... | digital sound editor |
Sarah Morton | ... | digital sound editor |
Terry Sharratt | ... | boom operator |
Ian Tapp | ... | dubbing mixer |
Bruce White | ... | sound recordist |
Visual Effects by
Mark Thomas-Stubbs | ... | digital artist (uncredited) |
Camera and Electrical Department
Christian Abomnes | ... | focus puller |
Steve Alcorn | ... | camera operator |
Martin Cox | ... | electrician |
Vince Goddard | ... | chief electrician |
Davey Logan | ... | camera grip (as David Logan) |
Carl McGillivray | ... | electrician |
Mickey Peerless | ... | electrician |
Ken Redford | ... | electrician |
Neil Robinson | ... | clapper loader |
Costume and Wardrobe Department
Anna Houghton | ... | wardrobe mistress |
Colin Lavers | ... | wardrobe supervisor |
Location Management
Jo Beckett | ... | assistant location manager |
Russell Lodge | ... | location manager |
Mark Sanger | ... | location assistant (uncredited) |
Script and Continuity Department
Pauline Harlow | ... | script supervisor |
Rob Pursey | ... | script editor |
Additional Crew
Neil Chaplin | ... | production accountant |
Wayne Docksey | ... | animal consultant |
Christine Fenton | ... | production coordinator |
Valerie Rosewell | ... | assistant accountant |
Sarah Walden | ... | producer's assistant |
Andrew Jack | ... | dialect coach (uncredited) |
Stuart Morton | ... | rushes synchronisation (uncredited) |
Thanks
Simon P. Thorp | ... | thanks (as Simon P Thorp) |
Production Companies
Distributors
- Public Broadcasting Service (PBS) (1999) (United States) (tv)
- Anchor Bay Entertainment (1999) (United States) (VHS)
- B-motion (2009) (Netherlands) (DVD)
- Carlton Visual Entertainment (1999) (United Kingdom) (DVD)
- ITVX (2023) (United Kingdom) (video) (VOD)
- Masterpiece Theatre (1999) (United States) (tv)
- Nelonen (2000) (Finland) (tv)
- WGBH Boston Video (1999) (United States) (VHS)
- WGBH (2005) (United States) (DVD)
Special Effects
Other Companies
- Angels the Costumiers (costumes)
- Anvil Post Production (sound re-recording)
Storyline
Plot Summary |
We're in an English village shortly before Dunkirk. "Mr. Tom" Oakley still broods over the death of his wife and small son while he was away in the navy during WWI, and grief has made him a surly hermit. Now children evacuated from London are overwhelming volunteers to house them. Practically under protest, Mr. Tom takes in a painfully quiet 10-year-old, who gradually reveals big problems. William nightly wets the bed. He can't read or write, although he is intelligent and shows artistic talent. He constantly dreads going to hell. Scars cover his back. Mr. Tom soon realizes that his little boarder comes from a horribly abusive home, and determines to provide him a better one. All goes well until William's mother persuades him to return to London for a few days' visit. When Mr. Tom hears nothing from the boy after two weeks, he can endure the loneliness and worry no longer.
Written by Paul Emmons |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | The exterior village scenes were filmed in Turville, Buckinghamshire, UK. The same village was used for the BBC sitcom "The Vicar of Dibley". Mr Tom's home is Sleepy Cottage and adjoins the Dibley vicarage, which is partially hidden by a wooden shed. In Dibley, Harry supposedly lives at Sleepy Cottage, but a property up the lane was actually used, giving the characters more space to walk. See more » |
Goofs | During this programme we sometimes get a view of other houses / cottages in the village. It is a shame that with all the other detail and thought that went into the making of it, no one thought to remove or disguise the UHF television aerials on their rooves ! You would not have seen an aerial of that type on a roof until the mid 1960's when BBC2 came into being. See more » |
Movie Connections | Featured in Goodnight, Mister Tom (1999). See more » |
Quotes |
Mr. Greenway:
But then it isn't the boy's welfare this is all about, really. Is it, Mr. Oakley? Tom Oakley: Isn't it? Mr. Greenway: No, it's about you, I'd say. Your welfare. Tom Oakley: Me? Mr. Greenway: A lonely and, from what I hear, embittered old man, facing a lonely and bitter old age. Tom Oakley: You really think that's the only reason I want him back? Just to be company for me when I'm past it? Mr. Greenway: Well, isn't it? Basically? Tom Oakley: No, it bloody well isn't! And I resent the implication! Mr. Greenway: Doesn't it bother you at all that when you're seventy, he's still going to be in his teens? Tom Oakley: 'Course it bothers me. I'm not stupid, you know. There's not a lot we can do about that, is there? Look, I know it's not an ideal situation, anything but, but... But put it this way: it's got to be a damn sight more ideal than your Dr. Stelton in there turning him into some sort of human guinea pig. Mr. Greenway: Just tell me one thing, Mr. Oakley. Why is the boy suddenly so important to you? He's an evacuee, for God's sake. And one at that, as I understand it, you took violent exception to having foisted on you in the first place. Tom Oakley: Isn't it obvious? Mr. Greenway: Not to me, no. Nor to Dr. Stelton. Tom Oakley: Because I love him, of course. As if he was my own flesh and blood, I do. And for what it's worth, I think he loves me as well. Mr. Greenway: And is that really enough, do you think, in this day and age? Tom Oakley: Well, I suppose it has to be, hasn't it, Mr. Greenway? In this day and age or any other. Because if it isn't, what else is there, eh? See more » |