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The Hurricane (1999)

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The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.

Director:

Norman Jewison

Writers:

Rubin 'Hurricane' Carter (book), Sam Chaiton (book) | 3 more credits »
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Popularity
4,504 ( 734)
Nominated for 1 Oscar. Another 7 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Denzel Washington ... Rubin Carter
Vicellous Shannon ... Lesra (as Vicellous Reon Shannon)
Deborah Kara Unger ... Lisa
Liev Schreiber ... Sam
John Hannah ... Terry
Dan Hedaya ... Della Pesca
Debbi Morgan ... Mae Thelma
Clancy Brown ... Lt. Jimmy Williams
David Paymer ... Myron Bedlock
Harris Yulin ... Leon Friedman
Rod Steiger ... Judge Sarokin
Badja Djola ... Mobutu
Vincent Pastore ... Alfred Bello
Al Waxman ... Warden
David Lansbury ... U.S. Court Prosecutor
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Storyline

This film tells the story of Rubin "Hurricane" Carter, an African-American man who rose above his troubled youth to become a top contender for the middle-weight boxing title. However, his dreams are shattered when he is accused of a triple murder, and is convicted to three natural-life terms. Despite becoming a cause celebre and his dogged efforts to prove his innocence through his autobiography, the years of fruitless efforts have left him discouraged. This changes when an African-American boy and his Canadian mentors read his book and are convinced of his innocence enough to work for his exoneration. However, what Hurricane and his friends learn is that this fight puts them against a racist establishment that profited from this travesty and have no intention of seeing it reversed. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Add Synopsis

Taglines:

His greatest fight was for justice. See more »

Genres:

Biography | Drama | Sport

Motion Picture Rating (MPAA)

Rated R for language and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Universal Pictures

Country:

USA

Language:

English

Release Date:

14 January 2000 (USA) See more »

Also Known As:

Lazarus and the Hurricane See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$337,000, 2 January 2000, Limited Release

Gross USA:

$50,668,906, 16 April 2000

Cumulative Worldwide Gross:

$73,956,241
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Director Norman Jewison showed the film uncompleted at the 1999 Toronto International Film Festival, without credits or proper color. He had been working on the movie the night before it was shown, and submitted it to the festival with the film still splinted together in hundreds of pieces. Before showing the movie he said to the eager audience, "I'm so nervous that the splints may fall apart." See more »

Goofs

After the shootings in the bar are shown the first time, the exterior shot shows the traffic light at Madison Ave. In the later flashback, there is no traffic light. See more »

Quotes

[first lines]
Announcer: Ladies and gentlemen, this fine young fighter will be right here in Pittsburg on the boxing cog, this Monday night.
See more »

Connections

Featured in Private Screenings: Norman Jewison (2007) See more »

Soundtracks

Hard Times No One Knows
Written & Performed by Ray Charles
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User Reviews

An enjoyable film but suffers from being too black and white (if you can excuse the pun)
10 July 2004 | by bob the mooSee all my reviews

Framed by a white cop for a murder he didn't commit, boxer Ruben 'Hurricane' Carter tries to free himself from the constrains of his cell mentally by studying, picking over his case and writing his autobiography. Seven years later, Carter is still in prison with appeal after appeal being turned down, but his book has found its way into the hands a young student, Lesra who is inspired to study by the lessons in his book. As the two get to know one another through letters and meetings, Lesra and his teachers devote themselves to getting Carter freedom through a successful appeal.

Despite the fact that the basics of the story is interesting and compelling, this film only manages to be reasonable entertaining rather than compelling because it never really goes deeper than the basics. The story of a man wrongfully imprisoning and yet, somehow, overcoming that is going to be worth a look as it offers enough human interest for me to give it a try, but the problem here is that the film will give you a very basic look at the story and this basic feel will stop you getting involved in the story and maybe even make you wonder how much of it has been simplified down. Enough elements of the film remain interesting to cover this gap though and the character of Carter is interesting and semi-inspiring as he is portrayed here; I say 'as portrayed here' because I do not know how real this person I have seen here is. Part of the problem may be Jewison himself as his background is of a time where things could be as simple as, literally, black and white – but he brings that view to this movie and the story (and even the truth) appear to suffer as a result.

In Jewison's world there is no complex issues, no legal technicalities, no nothing – there is only a good black man who has been framed by bitter, racist cops even though everything points to his innocence; and boy, does Jewison spread it on thick! We trace Paterson's hatred of Carter all the way back to childhood and a scene where he comments on Carter's boxing fame just so we are totally clear that he wanted Carter more than anything! It's a real shame because the truth must be more interesting than this, although I imagine a lot more complex and for the film to just present such a clear cut and simplistic view of real life events not only insults the intelligence of the audience, it also does a disservice to the real life events it represents.

The cast are a big reason most of the film is interesting, or rather Denzel is a big reason it works. How close his Carter is to the real Carter is anyone's guess but his dialogue and his performance are both great. Washington made me believe this man's inner struggle by looks, words, tone of voice – this is the performance he deserved his Oscar for, not the more showy (and less controversial) one in Training Day. Shannon is also good even if he is far from central to the film. Unger, Schreiber and Hannah have clearly been told to play 'non-threatening white people' and they are all about as bland as a collection of people as I have seen. There is no meat on their characters and, as a result the three just play them very simple, basic and far too 'nice' to be believable; I'm not suggesting we have more detail on their lives but there was nothing to them whatsoever – a real problem when they are asked to carry some scenes near the end by themselves. Hedaya gets paid with a lazy 'racist cop' role that he can do nothing with, while Brown is OK in a return to his Shawshank role. Pastore, Steiger, Yulin and Paymer all add the feeling of depth in minor roles but really this is Washington's film and he is a big reason I found it entertaining.

Overall this was potentially an interesting, compelling and emotional film based on an intriguing real life story of injustice. However the script simplifies the story and characters to the point of being almost a version for people in a rush or without the intelligence to understand more. I cannot understand why the film just brushed past areas that would have made it more interesting (albeit more morally complex) and Jewison is to blame for a film that is very black and white in the portrayal of circumstances and its characters. Washington's performance and well written dialogue makes the film worth seeing but I was surprised by the film's ability to take an interesting and compelling story and simplify it to the point of lacking any real punch (sorry – he starts with a pun and he ends with a pun!). Watch once but there are much better examples of the genre and much better sources for hearing Carter's story.


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