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Complete, Cast awaiting verification
Nikolaj Coster-Waldau | ... |
Espen Arnakke
(as Nikolaj Coster Waldau)
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Stuart Graham | ... |
John Wakefield
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Anneke von der Lippe | ... |
Jenny
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Bjørn Floberg | ... |
Johan Hoeg
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Knut Husebø | ... |
Cafe Guest
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Espen Haavardsholm | ... |
Cafe Guest
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Anne Krigsvoll | ... |
Cafe Guest
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John Sigurd Kristensen | ... |
Cafe Guest
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Jeanne Bøe | ... |
Cafe Guest
(as Jeanne Bøe Larsen)
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Tonja Sitara Sanborn | ... |
Cafe Guest
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Sven Henriksen | ... |
Head Waiter
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Sturla Berg-Johansen | ... |
Waiter
(as Sturla Berg Johansen)
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Stig Hoffmeyer | ... |
Wilhelm Arnakke
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Else Qualmann | ... |
Amaila Arnakke
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Henrik Sloth | ... |
Janus
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Stephanie Leon | ... |
Agnes
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Marina Bouras | ... |
Rose
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Tomas Villum Jensen | ... |
Jørgen
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Niels Martin Eriksen | ... |
Elvind
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Tove Olsen | ... |
Shop Owner's Wife
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Hywel Bennett | ... |
The Captain
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Lars Göran Persson | ... |
The Mate
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Mats Helin | ... |
The Cook
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Margot Finley | ... |
Eva
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Sherry White | ... |
Gertrude
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Mack Barfoot | ... |
Kelly
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Anthony Ayre | ... |
Older Man
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Ann Marie Anonsen | ... |
Woman 1
(as Anne Marie Anonsen)
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Tina Randell | ... |
Woman 2
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Graham Greene | ... |
Burly
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Michael Wade | ... |
Stoker
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Kevin Lewis | ... |
Blakeman
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Philip Dinn | ... |
Frenchy
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Bob Kelly | ... |
Marsh
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Directed by
Nils Gaup |
Written by
Sigve Endresen | ... | (writer) |
Aksel Sandemose | ... | (novel "A sailor goes ashore") |
Kenny Sanders | ... | (writer) |
Produced by
Sigve Endresen | ... | producer |
Arve Figenschow | ... | line producer |
Mogens Glad | ... | associate producer |
Ulrik Bolt Jørgensen | ... | producer |
Claes-Göran Lillieborg | ... | co-producer |
Music by
Joachim Holbek |
Cinematography by
Erling Thurmann-Andersen |
Editing by
Barrie Vince |
Editorial Department
Jon Endre Mørk | ... | assistant editor |
Jan Erik Nielsen | ... | color timer |
Production Design by
Karl Júlíusson |
Set Decoration by
Roger Maunder |
Costume Design by
Lotte Dandanell |
Makeup Department
Tine Buch | ... | makeup assistant |
Stephen Lynch | ... | key makeup artist |
Dorothy Martin | ... | assistant makeup artist |
Agneta von Gegerfelt | ... | makeup assistant |
Production Management
Martin Keller | ... | post-production manager: Denmark |
Mary Sexton | ... | production manager |
Second Unit Director or Assistant Director
Catho Bach Christensen | ... | first assistant director |
Paul Pope | ... | second assistant director |
Cara Powell | ... | third assistant director |
Kenny Sanders | ... | third assistant director |
Terry Stone | ... | third assistant director |
Art Department
Lotta Bergman | ... | props assistant |
Jesper Bytorp | ... | assistant props man |
Shelley Cornick | ... | key scenic artist |
Anders Engelbrecht | ... | construction manager |
Hans Gunnarson | ... | construction manager |
Cecilia Hellner | ... | art department coordinator (as Cecilie Hellner) |
Jesper Lorents | ... | property master: Denmark |
Martti Malkamaa | ... | construction manager |
Klaus Malmgren | ... | lead carpenter |
Trine Padmo Olsen | ... | props assistant (as Trine Padmo) |
Jack Reardigan | ... | head carpenter |
Marty Sexton | ... | construction coordinator |
Line Try | ... | props man |
Þór Vigfússon | ... | set painter |
Geoff Younghusband | ... | props master |
Christian Zethner | ... | props |
Sound Department
Hugo Ekornes | ... | dialogue editor |
Don Ellis | ... | sound recordist |
Petter Fladeby | ... | re-recording mixer |
Arne Hansen | ... | sound designer |
Kari Nytrø | ... | foley artist |
Simen Rogne | ... | foley re-recordist |
James Seddon | ... | dolby consultant |
Gisle Tveito | ... | foley supervisor |
Special Effects by
Einar Loftesnes | ... | special effects assistant |
Visual Effects by
Bente Santi Helle | ... | optical effects |
Stunts
Randy Boliver | ... | stunt coordinator |
Dag Eliassen | ... | stunt coordinator |
Camera and Electrical Department
Ingemar Andersson | ... | best boy |
Keith Burgess | ... | daily grip |
Arne Carlsson | ... | key grip |
Karsten Heidar | ... | electrician |
Ingeborg Klyve | ... | clapper loader |
Rolf Konow | ... | still photographer |
Renée Pilgrim | ... | camera trainee |
Nick Seary | ... | third grip |
Karl Simmons | ... | dolly grip |
Jens Sjöwall-Wahlöö | ... | gaffer |
Phil Winters | ... | second grip |
Costume and Wardrobe Department
Deborah Clarke | ... | third assistant wardrobe |
Script and Continuity Department
Annemarie Aaes | ... | script supervisor |
Transportation Department
Robert Whelan Jr. | ... | transportation coordinator |
Additional Crew
Brad Barkhouse | ... | production assistant |
Ola Narum Berg | ... | production assistant |
Sara Eliasson | ... | production assistant |
Nina B. Andersson Figenschow | ... | production coordinator (as Nina B. Andersson) |
Michael Bille Frandsen | ... | production coordinator |
Rick Gosse | ... | production assistant |
Kari Moen Kristiansen | ... | travel coordinator/post production coordinator |
Beata Mannheimer | ... | production coordinator |
Kathryn Mason | ... | assistant to producer |
Anita Reilly McGee | ... | unit publicist (as Anita McGee) |
Jessica Paine | ... | production coordinator |
Andy Pyne | ... | production assistant |
James Rickert | ... | production assistant |
Dorian Rowe | ... | production coordinator |
Jan Sonnergaard | ... | dialogue coach: danish |
Camilla Vikingsson | ... | production assistant |
Production Companies
Distributors
- Triangelfilm (1999) (Sweden) (theatrical)
- Europafilm (Norway)
- Sandrews Video (2000) (Sweden) (VHS)
- Scanbox Entertainment (Denmark)
- United International Pictures (UIP) (Denmark)
Special Effects
Other Companies
- Film Finances (completion guarantor)
Storyline
Plot Summary |
Oslo, 1932. Espen Arnakke, an up and coming Danish born writer who only writes non-fiction, is constantly butting heads with book critic Johan Hoeg, who has not been impressed by anything about Espen since his arrival onto the literary scene in Norway. Upon reflection, Espen realizes that there is some truth to Johan's words, regardless of his arrogant tone, based on Espen perhaps not being true to himself in what he is writing. As such, he decides to give his in-progress memoirs to the one person who he truly does want to impress, Johan's girlfriend Jenny, to read. Those memoirs largely detail him trying to escape from his life: escaping from his small town Danish upbringing where he was expected, as was every other male, to work at the town's ironworks, instead of his want to pursue some sort of schooling; and escaping from the sadistic captain and crew on the Newfoundland bound merchant ship he boarded in escaping from Denmark. He ended up in the fishing town of Misery Harbour, Newfoundland, where he believed he was truly free for the first time in his life. Despite life in Misery Harbour not being perfect, with his inexperienced self having some woman troubles, he ultimately wanted to escape one more time, from John Wakefield, one of his crew-mates aboard the merchant ship who seemingly double-crossed him while they were crew-mates, and who also ends up in Misery Harbour. As Jenny gets to this section of the story, she questions Espen's truthfulness in the story, which, if is indeed a lie, would be based on an assertion he made about mankind to Johan. Written by Huggo |
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