A tribal priest returns from the dead to take his revenge on non-believers.A tribal priest returns from the dead to take his revenge on non-believers.A tribal priest returns from the dead to take his revenge on non-believers.
John R. Russell
- Reverend Slater
- (as John Raphael R.)
Ethel Ayler
- Lady in bar
- (uncredited)
Ella Mitchell
- Lead singer
- (uncredited)
Dwayne Oliver
- Assistant leader
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMarlene Clark said during an interview in 2000 that the movie received a few favorable reviews from critics intrigued by its depiction of the Yoruba religion, first-hand knowledge of which came courtesy of the film's technical advisor. She said "I don't know how they found that man! He was an ex-pimp from Harlem who had bought some property in South Carolina and established an African village. He had like five wives, and of course, being an African king, you get to have all the queens, right? And this was the guy the producers hired to tell them about the Yoruba religion! We all stayed in the same motel. He was in one room, his wives were in another, and he would call for whichever wife he wanted that particular evening. I remember thinking, 'This isn't a big leap from being a pimp in New York, except you get to wear a lot of nice robes!'"
- GoofsWhile Memphis is praying in church, Jenny keeps yelling at him to get on his knees. He already is.
- ConnectionsFeatured in Trailer Trauma Part 4: Television Trauma (2017)
Featured review
If you go into "Lord Shango" expecting blaxploitation horror schlock along the lines of "Blacula" or "Sugar Hill," you're going to be disappointed. Once you adjust your expectations, however, you'll be pleasantly surprised.
The movie opens with the baptism ceremony of Billie (Avis McCarther), the teen-age daughter of Jenny (Marlene Clark). Interrupting the ceremony is Billie's voodoo-practicing boyfriend. A struggle ensues with the church elders, who attempt to forcibly baptize the boyfriend, "accidentally" drowning him. Jenny doesn't entirely believe the drowning was accidental, even though her boyfriend Memphis (Wally Taylor) is one of the church elders involved. While Jenny is at her waitress job, Billie is seemingly possessed, writhing on her bed and beckoning for Memphis. Yeah, we know where this going, and once Jenny discovers what went on all hell breaks loose. Billie, ashamed, runs away, while Memphis begs for Jenny's and God's forgiveness. God may forgive, but Jenny doesn't, renouncing Christianity in favor of voodoo, using its rituals to find her daughter and get revenge.
"Lord Shango" actually has a lot in common with "Ganja & Hess," which also starred Clark. Like that movie, "Shango" seems better suited for the art-house than grindhouse. Many of the supernatural elements are implied, and, in some instances, may not be supernatural at all. Fanning the flames is a character named Jabo (Lawrence Cook), the local drunk who may—or may not—be Lord Shango reincarnate. If he has any special power, it's his ability to manipulate by suggesting that some characters face dire consequences, as he does when he plays on Memphis' paranoia, or greater rewards, as he does with Jenny, who seems convinced she knows his "real" identity.
But while "Lord Shango" is far more intelligent than one might expect, it doesn't entirely live up to its potential. For starters, this movie often drowns in its own soundtrack, with music—be it gospel, tribal drums, funk, jazz—blaring in practically EVERY scene, whether it's necessary or not. It's frequently difficult to hear the dialog, and there are many times when the music deflates the tension. The movie could also benefit from some tighter editing (you have to sit through an awful lot of gospel singing and voodoo drumming before the story really kicks into gear) and a more satisfying ending. Having raised our expectations, screenwriter Paul Carter Harrison and director Ray Marsh can't quite meet them.
It's no "Ganja & Hess," but "Lord Shango" is still worth seeking out. The acting, for the most part, is fairly strong, and the story is pretty compelling, even if it's clumsily told.
The movie opens with the baptism ceremony of Billie (Avis McCarther), the teen-age daughter of Jenny (Marlene Clark). Interrupting the ceremony is Billie's voodoo-practicing boyfriend. A struggle ensues with the church elders, who attempt to forcibly baptize the boyfriend, "accidentally" drowning him. Jenny doesn't entirely believe the drowning was accidental, even though her boyfriend Memphis (Wally Taylor) is one of the church elders involved. While Jenny is at her waitress job, Billie is seemingly possessed, writhing on her bed and beckoning for Memphis. Yeah, we know where this going, and once Jenny discovers what went on all hell breaks loose. Billie, ashamed, runs away, while Memphis begs for Jenny's and God's forgiveness. God may forgive, but Jenny doesn't, renouncing Christianity in favor of voodoo, using its rituals to find her daughter and get revenge.
"Lord Shango" actually has a lot in common with "Ganja & Hess," which also starred Clark. Like that movie, "Shango" seems better suited for the art-house than grindhouse. Many of the supernatural elements are implied, and, in some instances, may not be supernatural at all. Fanning the flames is a character named Jabo (Lawrence Cook), the local drunk who may—or may not—be Lord Shango reincarnate. If he has any special power, it's his ability to manipulate by suggesting that some characters face dire consequences, as he does when he plays on Memphis' paranoia, or greater rewards, as he does with Jenny, who seems convinced she knows his "real" identity.
But while "Lord Shango" is far more intelligent than one might expect, it doesn't entirely live up to its potential. For starters, this movie often drowns in its own soundtrack, with music—be it gospel, tribal drums, funk, jazz—blaring in practically EVERY scene, whether it's necessary or not. It's frequently difficult to hear the dialog, and there are many times when the music deflates the tension. The movie could also benefit from some tighter editing (you have to sit through an awful lot of gospel singing and voodoo drumming before the story really kicks into gear) and a more satisfying ending. Having raised our expectations, screenwriter Paul Carter Harrison and director Ray Marsh can't quite meet them.
It's no "Ganja & Hess," but "Lord Shango" is still worth seeking out. The acting, for the most part, is fairly strong, and the story is pretty compelling, even if it's clumsily told.
- How long is Lord Shango?Powered by Alexa
Details
- Runtime1 hour 32 minutes
- Sound mix
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