In front of the cameras and in public, famed Hollywood actress Honey Whitlock, a product of the studio system, is as sweet as her name. Behind the scenes, she is demanding and controlling, making life a nightmare for anyone who has to deal with her, especially her browbeaten assistant, Libby. She and her entourage are in Baltimore - what is emerging as the Hollywood of the east - for the premiere of her latest movie. The premiere gets hijacked by a group of guerrilla independent filmmakers, led by director Cecil B. DeMented, in wanting to make a statement against the Hollywood studio system and the bad movies they produce. Cecil and his band kidnap Honey in the process. What their goal is, with no money per se, to make their own movie starring Honey as a statement against the Hollywood studios. Their general process is to have the scripted elements of the movie, such as Honey's dialogue, being set against "real life" in they overtaking several of the Hollywood movie studio events in ...Written by
The actual head of the Baltimore Film Commission appears in the sequence in which Honey Whitlock jumps off a building into the middle of a BFC press conference; he's one of the extras gagging on the oysters he's forced to eat by Cecil's band of terrorists. See more »
At the Bengie's Drive-In, Cecil pushes the film groupie out of the room and shuts the door after him. In the next shot, he is still there, and in the shot after he is gone. See more »
Pain is pleasure! Slavery is freedom! Suicide for Satan!
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The credits thank "Fred and Ginger" both insinuating Fred Astaire and Ginger Rogers, the dance duo, and "Fred e Ginger" a movie by Federico Fellini, paying homage to the duo. See more »
There was a quick shot in earlier prints of the movie theater showing the director's cut of "Patch Adams", where we see the sign advertising the director's cut. This shot can still be seen on the intro to the DVD menu, and in one of the trailers. See more »
Written by Todd Chaisson, Michael Parnin and Todd Michael Burr
Performed by Substance D
Courtesy of Noise Records/Modern Music Records See more »
Waters' return to form
While I've enjoyed John Waters recent output, movies like Pecker and Serial Mom have played it a little to safe for my liking. It's great to think of middle-America watching any kind of Waters movie rather than pap like Pearl Harbor and The Mummy Returns, but these movies only give half the picture. While Cecil B. Demented isn't pure unadulterated Waters like Pink Flamingos, it is his best movie since Cry Baby, and a complete HOOT. Man, the sheer energy and humour of this movie, and the basic message of its love for REAL cinema, really pushed my buttons and left me grinning from ear to ear, and UP for a week afterwards! Hopefully someone out there is listening, 'gets it', and will check out some earlier Waters, and some of the work of Sprockets heroes, and their lives will be enriched forever.
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