Maggie, a 50-year-old widow, desperately needs some money to pay for a medical treatment for her ill grandson. After one attempt at trying to find a job, Maggie finds herself roaming the ... See full summary »
Predrag 'Miki' Manojlovic,
The film is set in a house occupied by a collection of social misfits. The main storyline is that of a strange musician's relationship with a girl, their drug use and his band. These events... See full summary »
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
During a sunny Sicilian summer Tanino has a sweet and tender story with Sally, a young American tourist. But when summer is over, Sally flies back to the States forgetting Tanino and her ... See full summary »
Provocateur, artist, performer: Peter Vanessa "Troy" Davies was a chameleon. Using layers of identity at will, Davies charmed his way through a lifetime of secrets and lies, prostitution, art, HIV, abuse, incest and gender subversion, leaving a legacy of unanswered questions, influential performances and reams of enigmatic home video.
The dramatised story of a coal-miners' strike in 1930s Australia, in the small south Gippsland town of Korumburra. The story is told through the struggles of Agnes and Wattie Doig, two Scottish immigrants, who were real people.
Looking for the fast track out of suburban hell, two natural born losers scheme an impossible heist. Mick is slack, cynical, and most of all, unemployed. He masterminds the plan while Kev, ... See full summary »
A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective.Written by
Sam's comment, "... the recession we had to have ...", is a quote from former Australian treasurer, Paul Keating, Keating famously referred to the early 1990s recession in Australia as "the recession we had to have". Keating's statement caused much comment in Australia and cost the then Labor government much support. The quote has since been parodied in Australia in many different situations. See more »
In the scene with Dirk and Nina arguing over the pineapple chunks, the label on the can changes from shot to shot, from "pineapple pieces" to "sliced pineapple". Neither can contains "pineapple chunks" as said in the dialogue. See more »
Flip, turn the fucking TV off! People are trying to sleep.
[Flip does not respond]
Flip, have some fucking consideration.
[Danny turns the TV off]
For Christ's sake, Flip... Flipster? Oh, shit. Shit! Fuck!
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Apologies to: Jean-Luc Godard, Buster Keaton, Louise Brooks, Anna Karina, Antonin Artand, Robert Bresson, Jean-Pierre Melville, Andrei Tarkovsky, Fedorico Fellini, Emir Kusturica, Wong Kar Wei, Yasujiro Ozu, Jean-Paul Satre, Simone de Beauvoir, Jean-Paul Belmondo, Jean-Pierre Leaud, Alain Delon, Francis Ford Coppola, Elvis Presley & Sandy Harbutt. See more »
A great Aussie film successfully continuing the tradition of character based humour that made shows such as the BBC's 'The Young Ones' so successful. The protagonist's frequent housing changes and philosophical musings are entertaining and while there isn't so much as an overall plot to tie it all together, you are absorbed by the gripping personalities of the characters. The film contains every sort of bizarre and twisted personality imaginable and flaunts them in a parade of pagan rituals, drug abuse, vaguely criminal activity and postmodern angst. However much of the humour relies on an understanding of Australian stereotypes and only viewers who are able to connect Queensland with cane toads and right wing military nut jobs, Melbourne with gangland crime and dodgy police, and Sydney with anal retentives, will appreciate the farcical situations that arise.
Not nearly as gritty as 'Trainspotting' but if the bizarre lives and apathetic self discovery of that appealed to you then you'll probably appreciate 'He Died with a Felafel in His Hand' as well. Not for people who aren't prepared to accept subtlety in films.
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