7.1/10
3,016
37 user 9 critic

He Died with a Felafel in His Hand (2001)

Not Rated | | Comedy, Romance | 30 August 2001 (Australia)
Trailer
2:11 | Trailer
A nightmare chase through hell in a never-ending, unrequited daisy chain of desire...

Director:

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1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Danny
... Sam
... Anya
Alex Menglet ... Taylor
Brett Stewart ... Flip
... Milo
Torquil Neilson ... Otis
Sophie Lee ... Nina
Francis McMahon ... Dirk
... Iain the Socialist
Robert Rimmer ... Derek the Bank Clerk
Sayuri Tanoue ... Satomi Tiger
Linal Haft ... Brisbane Goon 1
Nathan Kotzur ... Brisbane Goon 2
Haskel Daniel ... Jabber (as Haskel Daniels)
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Storyline

A search for love, meaning and bathroom solitude. Danny goes through a series of shared housing experiences in a succession of cities on the east coast of Australia. Together these vignettes form a narrative that is surprisingly reflective. Written by Film Movement

Plot Summary | Add Synopsis

Taglines:

Some people will do anything to get out of paying the rent

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

30 August 2001 (Australia)  »

Also Known As:

E morì con un felafel in mano  »

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Box Office

Budget:

AUD 3,900,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Did You Know?

Trivia

Sam's comment, "... the recession we had to have ...", is a quote from former Australian treasurer, Paul Keating, Keating famously referred to the early 1990s recession in Australia as "the recession we had to have". Keating's statement caused much comment in Australia and cost the then Labor government much support. The quote has since been parodied in Australia in many different situations. See more »

Goofs

In the scene with Dirk and Nina arguing over the pineapple chunks, the label on the can changes from shot to shot, from "pineapple pieces" to "sliced pineapple". Neither can contains "pineapple chunks" as said in the dialogue. See more »

Quotes

[first lines]
Danny: Flip, turn the fucking TV off! People are trying to sleep.
[Flip does not respond]
Danny: Flip, have some fucking consideration.
[Danny turns the TV off]
Danny: For Christ's sake, Flip... Flipster? Oh, shit. Shit! Fuck!
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Crazy Credits

Apologies to: Jean-Luc Godard, Buster Keaton, Louise Brooks, Anna Karina, Antonin Artand, Robert Bresson, Jean-Pierre Melville, Andrei Tarkovsky, Fedorico Fellini, Emir Kusturica, Wong Kar Wei, Yasujiro Ozu, Jean-Paul Satre, Simone de Beauvoir, Jean-Paul Belmondo, Jean-Pierre Leaud, Alain Delon, Francis Ford Coppola, Elvis Presley & Sandy Harbutt. See more »

Connections

References Star Trek: Deep Space Nine (1993) See more »

Soundtracks

Buy Me a Pony
Written and Performed by Spiderbait
Sony/ATV Music Publishing Australia
Courtesy of Grudge Records
Under license from Universal Music Australia
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User Reviews

Dead By Any Means
15 November 2010 | by See all my reviews

I am told that the three cities in this movie fit stereotypes that native Australians appreciate, so you might like that. Also, there are two good laughs in this.

In addition, there is a zany tone that might stick to young viewers. But otherwise this is a disaster. Most everyone seems to agree and cite the trivially episodic design, plus the fact that the moderately popular book on which it was based was not much followed. But I think the problem is more interesting. After all, some episodic comedies do work, and in particular those that define a peculiar, amusing world. This is common in TeeVee.

I think the difference here, the failure, is that the characters were not crisp. They never needed to be human, dimensional or sympathetic because we are playing with cartoons after all. But they need to be defined. They need to have enough causal coherence — what actors like to call motivation — for us to get what they are, what they stand for. I would suspect that I just missed the nuance because I am not Australian, but no. Australians have the same problem, even though they have the advantage of recognizable dress styles and phrases.

It is just bad writing. I suppose a case could be made for deep irony here, because the main character is a writer and the presumption is that we are reading what he has written. He is portrayed as an abysmally bad writer, and bad in just the way the movie is bad. But there is no sign that the film is that clever.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.


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