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Gladiator (2000)

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A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.

Director:

Ridley Scott

Writers:

David Franzoni (story), David Franzoni (screenplay) | 2 more credits »
Popularity
216 ( 14)
Top Rated Movies #46 | Won 5 Oscars. Another 53 wins & 101 nominations. See more awards »

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Cast

Cast overview, first billed only:
Russell Crowe ... Maximus
Joaquin Phoenix ... Commodus
Connie Nielsen ... Lucilla
Oliver Reed ... Proximo
Richard Harris ... Marcus Aurelius
Derek Jacobi ... Gracchus
Djimon Hounsou ... Juba
David Schofield ... Falco
John Shrapnel ... Gaius
Tomas Arana ... Quintus
Ralf Moeller ... Hagen
Spencer Treat Clark ... Lucius
David Hemmings ... Cassius
Tommy Flanagan ... Cicero
Sven-Ole Thorsen ... Tigris
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Storyline

Maximus is a powerful Roman general, loved by the people and the aging Emperor, Marcus Aurelius. Before his death, the Emperor chooses Maximus to be his heir over his own son, Commodus, and a power struggle leaves Maximus and his family condemned to death. The powerful general is unable to save his family, and his loss of will allows him to get captured and put into the Gladiator games until he dies. The only desire that fuels him now is the chance to rise to the top so that he will be able to look into the eyes of the man who will feel his revenge. Written by Chris "Morphy" Terry

Plot Summary | Plot Synopsis

Taglines:

Father of a murdered son, husband to a murdered wife and I shall have my vengeance in this life or the next See more »


Motion Picture Rating (MPAA)

Rated R for intense, graphic combat | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | UK

Language:

English

Release Date:

5 May 2000 (USA) See more »

Also Known As:

The Gladiators See more »

Filming Locations:

Morocco See more »

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Box Office

Budget:

$103,000,000 (estimated)

Opening Weekend USA:

$34,819,017, 7 May 2000, Wide Release

Gross USA:

$187,705,427, 27 April 2013

Cumulative Worldwide Gross:

$457,640,427, 28 February 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Extended Edition)

Sound Mix:

SDDS | DTS (Digital DTS Sound)| Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The Holst Foundation sued Hans Zimmer for similarities in his score to Gustav Holst's "Mars: The Bringer of War". The suit was dismissed. See more »

Goofs

Lucilla's contact lenses are visible in a close-up. See more »

Quotes

Commodus: It vexes me. I'm terribly vexed.
See more »

Crazy Credits

Both the Dreamworks & Universal logos are altered to appear gold in color so they match the opening theme of Maximus walking through a wheatfield. See more »

Alternate Versions

The first printing of the bonus disc from the 'Signature Selection' DVD release contains a documentary about the links between sport and violence which includes a picture from the Hillsborough football disaster. After complaints from a support group for relatives of the victims the picture was removed from subsequent pressings. See more »

Connections

References Triumph of the Will (1935) See more »

Soundtracks

Etruria
Written by Walter Maioli and Nathalie Van Ravenstein (as Natalia Van Ravenstein)
Performed by Synaulia
Courtesy of Amiata Media Srl.
See more »

Frequently Asked Questions

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User Reviews

 
They said you were a giant. They said you can crush a man's skull with one hand.
6 August 2014 | by SpikeopathSee all my reviews

Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down. Yet just like Commodus in the film is keen to point out that he himself has other virtues that are worthy, so does Gladiator the film. Enough in fact to make it an everlasting favourite of genre fans and worthy of the Academy Award acknowledgements it received.

In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from. There has to my knowledge as well, never been a denial of the debt Gladiator owes to Anthony Mann's 1964 Epic, The Fall of the Roman Empire. Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience. And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity.

So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel - overrides film making irks. Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny; with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla (pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing). Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul. Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things.

Dialogue is literate and poetic, resplendent with iconic speeches. Action is never far away, but never at the expense of wrought human characterisations. The flaming arrows and blood letting of the Germania conflict kicks things off with pulse raising clarity, and Scott and his team never sag from this standard. The gladiator arena fights are edge of the seat inducing, the recreation for the Battle of Carthage a stunning piece of action sequence construction. And then the finale, the culmination of two men's destinies, no soft soaping from Scott and Crowe, it lands in the heart with a resounding thunderclap. A great swords and sandals movie that tipped its helmet to past masters whilst simultaneously bringing the genre alive again. Bravo Maximus Decimus Meridius. 10/10


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