Linda was a one hit wonder as a pop singer. She never managed to follow up her early success and now her producer and boyfriend Friedrich has taken on a new and younger starlet while Linda ... See full summary »
Tim and his friend Can go to bars and lie to girls about one of them being terminally ill so they can gain sympathy and be guaranteed a "hook up" for the night. Tim meets Marie hooks up ... See full summary »
A remake of the classic 1963 movie "The Haunting" about a team of paranormal experts who look into strange occurrences in an ill-fated house. Through the course of the night some will unravel, some will question, and all will fight for their lives as the house fights back.Written by
Even though he's uncredited as executive producer Steven Spielberg casted Catherine Zeta Jones (Theo) five years later, in The Terminal (2004). See more »
(at around 1h 15 mins) When Nell is pulled off her bed when she witnesses the windows changing, the string pulling her is briefly visible. See more »
You already owe two months worth of rent.
Eleanor "Nell" Vance:
It's mine, and you're not taking it away.
Read the will, Nell. It states in plain language, the executor shall have the right to dispose of any and all personal property, as he shall see fit.
Eleanor "Nell" Vance:
He's not even real family.
Yeah, maybe not, but clearly Mother thought Lou would be better off dealing with these unpleasant details than you.
Eleanor "Nell" Vance:
Unpleasant details? What have I been dealing with for the past eleven years? I've cooked, I've ...
See more »
Hill House briefly appears in the blackness of the screen just before the title appears. See more »
There are some quick shots in the Making Of that actually didn't appear in the final cut. For example, when Theo and Nell wandered around the house, they found the corridor to the nursery room, to which Nell looks scared, and Theo rather indifferent. Also, in the scene where Luke is killed, Theo's reaction to it is longer. See more »
The Haunting is actually a relatively decent film for the first 45 or so minutes. The setup is promising, the production design of the mansion is a sight to behold, and the cast seems to be enjoying themselves. It's unfortunate, however, because after that the film begins to fall apart, leading all the way to the ridiculously bad finale.
Dr. David Marrow (Liam Neeson) is conducting a test on fear, using the bait-and-switch method. By doing so, he's pretending to do a study on insomnia at the Crain estate, a manor 9 miles from the closest town. The "test subjects" that arrive include Eleanor (Lili Taylor), a hard-working woman who has had little success in life, Theo (Catherine Zeta-Jones), an adventuress and proclaimed bi-sexual, and Luke (Owen Wilson), an all-around jokester.
On the first night in the mansion, Eleanor and Theo hear thundering sounds in the walls, but pass it off as a problem in the plumbing. But events get even more bizarre, as Eleanor sees some sort of a figure inside the fireplace, that just as soon disappears. Slowly, Eleanor begins to believe that there are ghosts in the house, ghosts of dead children and the owner of the mansion himself, the evil Hugh Crain. She also makes a discover about her connection with the mansion that could help free the children's spirits.
The Haunting never features one scary moment. Rather than going for subtle chills or all-out shocks like in House on Haunted Hill, Jan De Bont prefers to rely everything on the special effects, which really are rather unconvincing, particularly the statues that come to life and the CGI ghosts.
It even manages to get worse. Now, to be fair, the film was getting dull by the 90-minute mark so I was initially entertained by the effects-filled finale. But everything gets positively ridiculous in the last ten minutes, as we find out evil ghosts like to play hide-and-seek and smash things up real good.
The blame should fall on director Jan De Bont and writer David Self. De Bont seems to care more about what special effect to use next to "wow" the audience rather than actually trying anything innovative. Self really can't seem to write a good story or truly interesting characters. The dialogue is perhaps the worse of his writing skills.
The only thing that keeps this film from a lower rating is the cast, and they do their best to keep the film respectable. Liam Neeson probably delivers the best performance, being neither as dull or unemotional as critics thought. Catherine Zeta-Jones shows a lot of life as Theo, as does Owen Wilson. It's a pity that Lili Taylor's performance, which was decent at first, turned to borderline camp by the finale.
With nary a true scare in sight, The Haunting should best be seen by those who are scared easily or special effects fans. For everybody else, this is probably a house not to spend the night at.
36 of 50 people found this review helpful.
Was this review helpful to you?
| Report this