Recovering alcoholic, ex-LAPD, private detective Fritz Brown, is hired by caddie "Fat Dog" to follow his kid sister, who is holed up with an old sugar daddy. The trail leads to his old police boss Cathcart, and the bodies start to pile up.
Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force. But what is Cathcart doing in business with a mobster? And why is Jane shacked up with a man old enough to be her grandfather? Fritz starts asking some questions, and the answers are all bad news. Fritz finds himself back on Haywood Cathcart's short list, and as the bodies start to pile up ...Written by
The beer bar "Fat Dog" (Will Sasso) uses as his contact point, "Rustic Inn", is a real bar in Los Angeles, called Ye Rustic Inn. It was not altered for the film in any way. It was perfect as a low-life sleazy-underbelly-of-the-city-hangout. Kiefer Sutherland, Robert Pattinson, and Kristen Stewart have been spotted there. See more »
Thunderstorms And Neon Signs
Written & Performed by Wayne Hancock
(Ten Ten Tunes)
Courtesy of Ark 21 Records See more »
It is definitely Michael Rooker who carries this film with his likable working-man persona.He really manages to show the heart and humanity under his character's rough exterior and when he needs to be menacing he delivers the goods;the scene where he takes a pair of brass knuckles to a creep in order to beat some information out of him is worth the price of admission alone. He is well-served by a snappy script that captures the gritty funk of Ellroy's writing. Capable direction by Jason Freeland keeps things moving nicely. There are excellent character turns by Will Sasso, Brad Dourif,and Barry Newman. And Harold Gould takes a bow as a slimy mobster.I am surprised this isn't more celebrated. Good show, all around.
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