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Pan Tadeusz: The Last Foray in Lithuania (1999)

Pan Tadeusz (original title)
Not Rated | | Drama, History, Romance | 21 January 2000 (USA)
In the early 1810s, Poles, part of Russia's client state of Lithuania, think independence will come if they join forces with Napoleon when he invades Russia. This unity of purpose, in one ... See full summary »

Director:

Andrzej Wajda
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7 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Boguslaw Linda ... Priest Robak
Daniel Olbrychski ... Gerwazy
Grazyna Szapolowska ... Telimena
Andrzej Seweryn ... Sedzia Soplica
Michal Zebrowski ... Tadeusz
Marek Kondrat ... Count Horeszko
Krzysztof Kolberger ... Adam Mickiewicz
Alicja Bachleda ... Zosia Horeszkówna (as Alicja Bachleda-Curus)
Jerzy Trela ... Podkomorzy
Jerzy Gralek ... Wojski
Marian Kociniak ... Protazy
Piotr Gasowski ... Rejent
Andrzej Hudziak ... Asesor
Wladyslaw Kowalski ... Jankiel
Krzysztof Globisz ... Major Plut
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Storyline

In the early 1810s, Poles, part of Russia's client state of Lithuania, think independence will come if they join forces with Napoleon when he invades Russia. This unity of purpose, in one district, is undermined by two families, feuding since the head of one shot the head of the other twenty years before. There are hopes of a reconciliation through a marriage of Pan Tadeusz, a Soplica, whose father, the murderer, is in hiding somewhere, and Zosia, a teen-aged girl, a Horeszko who lives in the household of Pan's uncle. Other cross-currents - of love, family, politics, village traditions, land reform, and what it means to be Polish - give the film texture. It's an exile's story. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance | War

Certificate:

Not Rated | See all certifications »
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Details

Country:

Poland | France

Language:

Polish

Release Date:

21 January 2000 (USA) See more »

Also Known As:

Пан Тадеуш See more »

Filming Locations:

Józefów, Mazowieckie, Poland See more »

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Box Office

Budget:

PLN 12,500,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby SR | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The first showing of this film was at a private screening in the Vatican attended by Pope John Paul II and Andrzej Wajda. See more »

Connections

Version of Pan Tadeusz (1928) See more »

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User Reviews

Mediocre film based on a literary masterpiece
7 September 2004 | by milosz_bSee all my reviews

That's very true: this film's redeeming quality (if any) are the dialogues, and also narrator's voice-overs, which have been taken verbatim from "Pan Tadeusz", the Polish 19th century verse epic by Adam Mickiewicz. Mickiewicz was an excellent poet (one of the strongest in Polish language, and of decent standing in European literature of 19th century), and "Pan Tadeusz", written in 1834, is one of his peak works. The text, written in syllabotonic rhymed verse, is at time funny, at times touching, but always flowing and vibrant. The epic tells a story from the lives of Polish lesser gentry in eastern part of the former Commonwealth of Poland (these parts are now in Lithuania or Byelarus) in the times of Napoleon's conquests. The plot includes a little bit of love story, a little bit of war (skirmishes, really), mystery, intrigue, resistance against Poland's occupiers, scenes of everyday life - all with a good measure of nostalgia thrown in, as it was written by Mickiewicz as emigree in Paris, with the patriotic goal to cheer up (literally, in Polish, "to strengthen the hearts") of other emigrees and of Poles in the partitioned and non-existing Poland, at the time shortly after yet another unsuccessful uprising against the Russian Empire.

"Pan Tadeusz", the movie, is a costume drama directed by Andrzej Wajda, the Polish director with some notable previous work under his belt. Into this film he brings mainly his experience and routine as filmmaker. The acting, with few exceptions, fails to impress, the actors simply mill around and recite the splendid lines by Mickiewicz. The camera-work is passable, with some nice shots of the beautiful locations. Also scenography and costumes are decent. What stands out is the music by the renowned Wojciech Kilar. But then again, it is standing out against the backdrop of a, frankly, not very exciting movie.

All in all: the most interesting feature of this film is unfortunately lost in translation from rhymed verse in 19th century Polish.


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