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The Black Gestapo (1975)

General Ahmed has started an inner-city People's Army to try and relieve the misery of the citizens of Watts. When the locals are put under increasing pressure by Mafia thugs, Ahmed's ... See full summary »



(screenplay), (screenplay) | 3 more credits »

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Cast overview, first billed only:
... General Ahmed
... Colonel Kojah (as Charles P. Robinson)
Phil Hoover ... Vito
Edward Cross ... Delmay (as Ed Cross)
Angela Brent ... Marsha
Wes Bishop ... Ernest
Lee Frost ... Vincent
... White Whore (as Dona Desmond)
... Joe
Rai Tasco ... Dr. Lisk
David Bryant ... Dope Pusher
J. Christopher Sullivan ... T.V. Owner
Susan Randolph ... Vincent's Girl
Colin Male ... Newscaster
Gene Russell ... Gambler


General Ahmed has started an inner-city People's Army to try and relieve the misery of the citizens of Watts. When the locals are put under increasing pressure by Mafia thugs, Ahmed's second-in-command Colonel Kojah asks for permission to start a protection squad to take more direct action. Ahmed fears this protection squad will just turn into a vigilante mob, and his prediction soon proves correct. Will Ahmed be able to wrest control back from the power-mad Kojah, or will he be the mob's next victim? Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis


They are the Ghetto Warriors... some call them The Black Gestapo See more »


Crime | Drama | Thriller


R | See all certifications »

Parents Guide:





Release Date:

March 1975 (USA)  »

Also Known As:

Black Enforcers  »

Filming Locations:

Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


Col. Kojah: All I want to know is WHO?
Kojah's Girl: Does it make any difference?
Col. Kojah: It makes a difference to me, woman, WHO?
Kojah's Girl: You can't stop them.
Col. Kojah: Well baby, they gonna know we gave them a try.
Kojah's Girl: I hope you're right, cuz I'm sure sorry for us if you're wrong.
See more »


Referenced in According to Spencer (2001) See more »

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User Reviews

Insulting, damp squib of a film
28 August 2012 | by See all my reviews

One of the many blaxploitation with the title prefix Black... (...Samurai, ...Caesar, ...Aphrodite), Gestapo also manages - rather uncomfortably - to incorporate the iconography of Nazism, bringing another of the popular sub-genre's of the exploitation market, that together make nazi-blaxploitation. "The People's Army", a vigilante group headed by General Ahmed (Rod Perry), are set up in Watts to protect black citizens in the inner city. After they run a white criminal organisation from the community, second in command Colonel Kojah (Charles Robinson), breaks the group in the middle to form his own, more fascistic group, indulging in money-making activities such as drug dealing, and orates for more direct, violent action.

Writer-director Lee frost (along with co-writer-producer Wes Bishop), has obviously, and incredibly insensitively, misinterpreted the black power movement in the late 1960's/'70's - particularly the Black Panthers - and presented it with Nazi iconography. It's an uncomfortable juxtaposition to see a group of black men congregated on a ghetto basketball pitch, dressed fully in the garments of the most vilified, ultra-racist political movement of the twentieth century. Why exactly would anyone (but particularly an ethnic minority), take on this most instantly recognisable of images?

There does seem to be an attempt to perhaps represent the opposing views of the two major iconic black figures of the 1960's. In Ahmed we have the message of non-violent protest from Dr. Martin Luther King Jr., whilst Kojah's view of violent actions mirrors the philosophy of Malcolm X, and his pronouncement of using violence in self-defence. But maybe I'm just reading into something that's not actually there. When the film isn't insulting its audience, it displays nothing new to an already lagging genre, and simply presents generic tropes: Blaxploitation was always criticised for perpetuating racial stereotypes, but this film could indeed be guilty of far more. With a series of scenes-we've-seen- before, such as the castration of a white man, after he raped a sister, the film also uses the contemporary necessities such as soft female nudity. Action scenes are played out with little excitement or even much vigorous movement, which along with the amateurish film making makes this film a totally dull squib. So... Hardly the "New Master Race," instead simply insulting to anyone who watches.


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