The film sends us to the 17th century when Bulgaria was a part of the Ottoman Empire. Four hoodlums break into the house of the shepherd Karaivan, raping and killing his wife in full view ... See full summary »
Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups ... See full summary »
This is a psychological whodunit. The action is tense and there are many ups and downs. Vas, a young militiaman, has to pose as a ex-prisoner and infiltrate an international gang of ... See full summary »
A boy from a poor Sofia neighborhood - Rado who is orphan and has committed several petty crimes - is sent to a borstal, or, to put it otherwise becomes a juvenile prisoner. Unfortunately, ... See full summary »
A small group of adult bourgeois friends are on a day outing in the country, that outing which includes having a picnic. While they are going for a walk after the picnic, they encounter a ... See full summary »
The scientist Alexandrov is seriously ill. In his white hospital room he recalls his experience tries to put his confused thoughts in order. His memory takes him back to an evening spent in the company of his friends Bubi and Rina. He can hear her cynical confession: man cannot live by fine ideals alone. His colleague Vasil,who has come to visit him in hospital, interrupts his thoughts with a gossip about office intrigues. Alexandrov remembers the unpleasant conversations he has had with a dogmatist Stoev about his book on the psychology of the emotions. He recalls Stoev's misrepresentation of the work of Freud. He has had to choose between steering clear of controversy or fighting the dogmatists. Stoev fades out of Alexandrov's memory and gives way to recollections of Sashka. She was his student, sweetheart, wife and mother of his two daughters. ButSashka is dead, only his memory of her live on. Vasil's visit breaks the stream of visions: Alexandrov's book has been turned, down after...Written by
Georgi Djulgerov <firstname.lastname@example.org>
Through the life and the academic career of the psychologist Peter Aleksandrov (brilliantly interpreted by Apostol Karamitev) the film examines important problems in Bulgarian society during the sixties. In the loneliness of a white hospital room, almost entirely isolated from the outside world, the protagonist relives the crucial moments of his past: the deprivation-filled years of the resistance struggle, the tempestuous love affair of his university years, his chance marriage, the conflict at his office, in the scientific community and his personal life. In the face of death he is anxiously reviewing the road he has traveled, he is searching for the meaning of his contradictory life. In the process he touches on questions of loyalty to one's ideas and friends, on the tragic price of compromise and indifference. The film does not offer any soothing illusions but calls for a struggle aimed at asserting social and moral norms of conduct. Though The White Room was Metodi Andonov's feature film debut, it won him recognition as one of the best Bulgarian directors.
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