After his death sometime in his forty-third year, suburbanite Lester Burnham tells of the last few weeks of his life, during which he had no idea of his imminent passing. He is a husband to real estate agent Carolyn Burnham and father to high school student Janie Burnham. Although Lester and Carolyn once loved each other, they now merely tolerate each other. Typical wallflower Janie too hates both her parents, the three who suffer individually in silence in their home life. Janie tries to steer clear of both her parents. Carolyn, relatively new to the real estate business, wants to create the persona of success to further her career, she aspiring to the professional life of Buddy Kane, the king of the real estate business in their neighborhood. Lester merely walks mindlessly through life, including at his job in advertising. His company is downsizing, and he, like all the other employees, has to justify his position to the newly hired efficiency expert to keep his job. Things change ...Written by
Chris Cooper was the last actor cast, virtually when rehearsals were beginning. When he first read the script, he found the character infuriating, thinking, "God, do I want to spend so much time in this character's head?" He remembers, "Then I started making excuses...I said, this is such a negative script, I don't like this and that." His wife finally told him he was "frightened of this script and chances are because you're frightened, you should do this part;" his response was that he "knew, really immediately, that she was right." See more »
When Angela and Jane are outside the school talking to Ricky, there is a shot in which the filter of Angela's cigarette is visible, and it's clearly white. As the cigarette is half-smoked, it should be brown from the tar. However, this could be deliberate as it could be that Angela and Jane are not really smoking and just trying to look cool. See more »
I need a father who's a role model, not some horny geek-boy who's gonna spray his shorts whenever I bring a girlfriend home from school. What a lame-o. Someone really should just put him out of his misery.
Want me to kill him for you?
Yeah. Would you?
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thanks to all at the Donmar Warehouse in London and Dr. Bill and Alice See more »
Probably the best film of 1999. This dark comedy drama marks two fantastic feature film debuts with Alan Ball as writer and Sam Mendes as director (both winning oscars for their sterling efforts).
Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.
Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.
As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.
The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).
The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.
Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.
All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.
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