7.5/10
743
10 user 11 critic

Megacities (1998)

Not Rated | | Documentary | 8 January 1999 (Austria)
A look at the people who live precariously, but with an unusual level of resourcefulness and imagination, in four gigantic urban agglomerations: Mumbai, New York City, Moscow and Mexico City.

Director:

Michael Glawogger
Reviews

Watch Now

From $2.99 (SD) on Prime Video

5 wins. See more awards »

Photos

Learn more

More Like This 

Whores' Glory (2011)
Documentary
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

An examination of the lives, needs, troubles and hopes of prostitutes in Thailand, Bangladesh and Mexico.

Director: Michael Glawogger
Stars: Emma, Ning, Toh
Documentary
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A documentary on the extremes to which workers will go to earn a living.

Director: Michael Glawogger
Untitled XII (2017)
Documentary
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

"I want to give a view of the world that can only emerge by not pursuing any particular theme, by refraining from passing judgment, proceeding without aim. Drifting with no direction except... See full summary »

Directors: Michael Glawogger, Monika Willi
Stars: Birgit Minichmayr, Fiona Shaw, Robin A Townsend
Slumming (2006)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Two yuppies play mean tricks on one another until one joke has fatal consequences.

Director: Michael Glawogger
Stars: Paulus Manker, August Diehl, Michael Ostrowski
Documentary
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A documentary about two different searches conducted in the Chilean Atacama Desert: one by astronomers looking for answers about the history of the cosmos, and one by women looking for the remains of loved ones killed by Pinochet's regime.

Director: Patricio Guzmán
Stars: Gaspar Galaz, Lautaro Núñez, Luís Henríquez
Girl Model (2011)
Documentary | Thriller
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

Directors: David Redmon, Ashley Sabin
Stars: Ashley Arbaugh, Rachel Blais, Olivia Arben
Documentary
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

Film-maker Werner Herzog travels to the McMurdo Station in Antarctica, looking to capture the continent's beauty and investigate the characters living there.

Director: Werner Herzog
Stars: Werner Herzog, Scott Rowland, Stefan Pashov
Mega Cities (TV Series 2005)
Documentary
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  
Stars: Paterson Joseph, Jackie Chan, Arturo Aispuro
Whore 2 (1994)
Drama
    1 2 3 4 5 6 7 8 9 10 4.6/10 X  

Jack sets himself up in the Hotel St James to work on his book on prostitution in New York. Along the way he meets and grows fond of Mary Lou.

Director: Amos Kollek
Stars: Nancy McPherson, Pat 'Delightful' Kelly, Sylvia Hill
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

A traveling projection-equipment mechanic works in Western Germany along the East-German border, visiting worn-out theatres. He meets with a depressed young man whose marriage has just broken up, and the two decide to travel together.

Director: Wim Wenders
Stars: Rüdiger Vogler, Hanns Zischler, Lisa Kreuzer
Edit

Storyline

This documentary deals with work, poverty, violence, love and sex. A film about human beauty in twelve chapters which tells the tales of people from Bombay, Mexico City, Moscow and New York, who are all struggling for survival, with ingenuity, intelligence and dignity. They all share the dream of a better life. Written by L.H. Wong <lhw@sfs.org.sg>

Plot Summary | Add Synopsis

Taglines:

12 Geschichten vom Überleben

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

Austria | Switzerland

Language:

Hindi | English | Russian | Spanish

Release Date:

8 January 1999 (Austria) See more »

Also Known As:

Megaloupoleis See more »

Filming Locations:

New York City, New York, USA See more »

Company Credits

Production Co:

Fama Film AG,Lotus Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
Edit

Did You Know?

Quotes

opening text overlay: And perhaps in abodes of poverty, where health, learning, shelter and security are not birthrights, the soul is not a birthright, either. - William T. Vollmann
See more »

Connections

Edited into Life in Loops (A Megacities RMX) (2006) See more »

Soundtracks

Mi sangre prisionera
Written by Enrique Valencia
Performed by Los Tigres del Norte
Courtesy of Fonovisa Inc.
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Defense of this great documentary, critique of critics.
6 August 2003 | by Erick-12See all my reviews

Megacities is disturbing documentary about individuals from the underclass in four major megalopolises around the world. They are shown to be rather trapped in dead-end struggles to survive. When asked about their dream for a personal future, each one speaks of someday owning a home and supporting a family. But it seems that the global economy will not allow them to do so. One is a color dye sifter in India, working repetitive days filled with one mechanical motion by hand. Another is a stripper in Mexico, fondled onstage by drunken anonymous men, something she has the grit to tolerate in order to support her three children. Another works nights in an iron mill in Russia, alternating between freezing and blasting hot. Another is an obnoxious street hustler in NYC. Some work up to their elbows in the bloody hell of a poultry slaughter house, or collecting household garbage in horse-drawn utility chariots, or dredging recyclable objects that have been thrown away in the city's filthy sewer canals by wading through the dangerous muck, or etc. Nevertheless, each poor individual has a quiet composure, albeit under visible stress. The dye sifter faces the camera and states that no one knows the daily suffering he endures, that he is not happy, but has no options. This film allows him to say that and thereby allows us to know it. This knowledge is what the film produces, a knowledge that more than half the world knows intimately while the other half of the world protests ignorance of this open secret, this hidden injustice. I attended this at a Taipei documentary film festival in September 2000, and afterward heard the director's sane replies to many critical questions from the international audience of competitive film-makers. Michael Glawogger, the director, noted that a few years ago, Time Magazine stated that by the year 2000, more people on earth would live in such sprawling cities than there are people who live in the countryside--for the first time in history. The balance has shifted decisively toward an urban population the world over. What this means also is a new human invention: the megacity, those vast, dense, sprawling growing urban zones of more than 10 million souls in each. This film is set in four: Moscow, Mexico City, New York, and Bombay. Yearly these megacities suck in the surrounding suburban and rural populations with their dizzying gravitational pull, like economic black holes. As everyone knows, the folks come streaming in looking for a better life, for work, to escape the very emptying of the countryside itself, ironically in some kind of circular feedback system. Most end up in a ghetto or shack, clinging to the fringe of an urban nightmare.

The documentary embodies the director's curiosity about the daily struggle to survive in those new megacities, about those individuals one might pass by on the street. The cumulative effect of his stories is that our systems have "created absurdity" as one man states in the film--Superbarrio Gomez.

Critical questions from the audience that night can be divided into two types, formal and ethical: 1. Formal. The film reconstructs scenes deliberately, and the subjects are paid. The director's method is to wander a city for a week or so, getting to know people. After a further relationship with them, he gains enough trust and cooperation even "friendship" as he says to direct them to act as themselves in a typical, "authentic" portrayal of their lives. Other film-makers in the audience were rather skeptical that this could even be called a documentary. But Michael Glawogger holds that it is authentic and that it is no more a fiction than any documentary-- that it is impossible to film private life without altering it in some way just by the presence of the camera. People who know that they being filmed begin to act as though they are on film. And the camera always selects and frames and excludes. Film is a subjective point of view as much as it is an objective record, whether as documentary or as narrative fiction. The only difference here, the director insisted, is that he deliberately foregrounds the process of construction, allowing the viewer to readily access the fact that this is a reconstruction. That a room full of film-makers had to be reminded of these basic insights only shows their theoretical naivety. It as if the whole profession needs a refresher trip back to grad school.

2. Ethical. Does paying the subject encourage them to exploit the film-maker? Or conversely, does it exploit the subject? Why were only poor people filmed? Wouldn't a more balanced portrait of megacity inhabitants be more appropriate? (a banal call which illuminated the real issue: this film disrupts our class blindness and evokes the mysteries of class division). The audience at a documentary festival is pretty much middle class, and they gaze in shock at the hidden life of the underclass on the screen. Then they express dismay that the film is not as "balanced" as TV supposedly is. But this film in fact supplies the other side which has been absent in the so-called balanced view of globalized megacities. Another woman mistakenly accused the film of focussing only on brown and black bodies in the 3rd world. She was wrong factually about both conditions: the semi-naked abject bodies of white drunks in Moscow are shown extensively; white people in NYC are shown a little. Are these instances of brown people in the 3rd world? Again this kind of criticism simply echoes a formulaic political objection to a 1st world gaze, without actually addressing the film we just watched. Some cultured middle-class people of color, viewing the film critically, might too easily confuse their discomfort with class differences for their more accustomed experience of ethnic or racial differences. The film was made precisely for these kind of ethical issues to be placed on the agenda of international discussion. I think that director Glawogger, a white male from Austria, ought to be given some credit for the formal and political (elsewhere known as "ethical") sensitivity that shines through his documentary. He claims that his subjects are treated with dignity. Yet the audience made it clear that the real subject of this film is more disruptive.


33 of 33 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 10 user reviews »

Contribute to This Page

Stream Comedy Titles With Prime Video

Explore popular comedy titles available to stream with Prime Video.

Start your free trial



Recently Viewed