Denzel Washington directs for the third time, and
Fences is the end result. A triumph, too.
Transferring a multi Tony award winning play to the screen was always going to be a delicate balancing act, incorporating the intimacy of theatre with the broad scope of cinema. However,
Denzel Washington’s third directorial outing (following
Antwone Fisher, The Debaters) does exactly that. Washington delivers a towering adaptation of noted American playwright August Wilson’s Pulitzer Prize winning drama
Fences, which masterly navigates soulful and complex themes in 1950’s Pittsburgh.
Since its lauded Broadway premiere 33 years ago, a film production seemed increasingly inevitable after Paramount acquired the rights back in 1987, with then producer
Eddie Murphy also gunning for co-star status, after searching for a suitable vehicle in which to take on a more serious film role. Wilson's non-negotiable and vocal insistence for an African-American director to helm the substantial venture resulted in