A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
1964 in small town Washington state. Selma Jezková, a Czechoslovakian immigrant, and her preteen son Gene live in a rented trailer owned by and on the property of married Bill and Linda Houston, he the town sheriff. Beyond Bill and Linda, Selma has a small group of friends who look out for her, including her primary confidante, Kathy, with who she works, and Jeff who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace long before the end of her shift to drive her home, despite she always refusing in not wanting to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind, her medical condition being genetic. Selma is barely able to see, just enough to do her job. Her primary reason for moving to the US and for working all the time is to earn enough money for an operation for Gene when he turns thirteen, he who ...Written by
The original European version had the overture played in dimmed lighting before the curtains opened on the screen. However, Fine Line Features president Mark Ordesky informed director Lars von Trier that such an opening was unfeasible in U.S. theaters, since most American theaters don't have curtains and have electronic projection booths overseen by inexperienced staffers. Thus, von Trier filmed a visual accompaniment to go along with the overture in the U.S. release: a collage of paintings by Per Kirkeby, the artist/husband of producer Vibeke Windeløv. See more »
This is quite possibly the most moving film I've seen, it ensnares you within the first minute, or Bjork does with her interpretation of the sound of music, which is both hilarious and introduces one of the main themes: the magic of musicals. Not one of my favourite genres (but everyone loves The Sound Of Music, right?) but Lars Von Trier makes you re-evaluate your perception with a gentle loving pastiche of the way for no reason people and things in musicals spontaneously erupt into song, made more credible in this film by implicating a reason for it: Bjork's character is going blind so she hears music in the slightest thing and she, in her mind, sees how moves should be choreographed with the music she hears, reminiscent of her own It's Oh So Quiet' music video. And the best thing about this film is the way Bjork charms you with her portrayal of the nicest person in the world, she will do anything for you if she could. She is essentially an innocent and though this is her weakness you can't help but love her all the more: a sparkling performance from a unique singer in real life.
However from this don't assume that this is a light happy film as there is a dark tragic side also, and this side is full of injustice, agony- and I mean agony-, sorrow- like you'd not believe-, and an intense emotional pull as I've ever felt in a cinema before, and it's this half that propels it from being just a great film to becoming one of the greatest. Its greatness is in telling a simple story of a woman trying to stop her own genetic sight disorder afflicting her son, by working every hour to afford the operation, working heavy machinery despite essentially being virtually blind, its greatness is its ability to inflict upon you the gift of feeling every conceivable emotion you posses and you do, you really do experience so much during this film. But I'll not say too much as my enjoyment of this film increased due to, for a change, not second guessing what would happen but to just let it be, I would say to passively watch but there's nothing passive about this film. It really moves you. It makes you feel alive.
This film should be seen alone, in the quiet when you are all by yourself, but more importantly than that it should be seen: this is more than mere movie this is art this is real this is the greatest film I have ever seen: even better than Casablanca, and Shadowlands, and The Piano.
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