A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits the town, she finds out that their support has a price. Yet her dangerous secret is never far away.
1964 in small town Washington state. Selma Jezková, a Czechoslovakian immigrant, and her preteen son Gene live in a rented trailer owned by and on the property of married Bill and Linda Houston, he the town sheriff. Beyond Bill and Linda, Selma has a small group of friends who look out for her, including her primary confidante, Kathy, with who she works, and Jeff who wants to be her boyfriend. Jeff regularly waits outside Selma's workplace long before the end of her shift to drive her home, despite she always refusing in not wanting to lead him on. Her primary job is working on the Anderson Tool factory assembly line, but she does whatever she can to earn money. What only Kathy knows among Selma's friends is that she is slowly going blind, her medical condition being genetic. Selma is barely able to see, just enough to do her job. Her primary reason for moving to the US and for working all the time is to earn enough money for an operation for Gene when he turns thirteen, he who ...Written by
Selma nicknames Kathy with the wrong pronunciation - kvalda, instead of tsvalda. If Selma was of Czech origin, she would make such a mistake. See more »
Why do you call me that?
It's like, someone whose...
I don't know, just big and happy.
I am not that big. And happy, I don't know.
You just need someone to pull it out.
See more »
The film originally contained a song entitled "141 Steps"; however, after the Cannes premiere, director Lars von Trier decided to shorten it, and the song was subsequently reworked and retitled "107 Steps." See more »
This is one of the best movies I have ever seen. I was not familiar with the director's previous work, but had picked up the soundtrack by Bjork and was intrigued.
Selma (incredibly portrayed by Bjork) makes the audience laugh and weep simutaneously just by following her heart. Every character is played flawlessly, and the cinemetography is innovative and dynamic. The musical numbers jump to life in a 'colorized' style, emphasizing the break from the dismal reality of Selma's painfully decaying life.
I will say only this. I hate crying at movies. Yet, as I was driving home, mad at the fact that I was still sobbing uncontrollably, I realized how much I loved this movie.
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