7.0/10
1,428
15 user 25 critic

Late August, Early September (1998)

Fin août, début septembre (original title)
A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in ... See full summary »

Director:

Olivier Assayas

Writer:

Olivier Assayas
Reviews
2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Mathieu Amalric ... Gabriel
Virginie Ledoyen ... Anne
François Cluzet ... Adrien
Jeanne Balibar ... Jenny
Alex Descas ... Jérémie
Arsinée Khanjian ... Lucie
Mia Hansen-Løve ... Véra
Nathalie Richard ... Maryelle
Eric Elmosnino ... Thomas
Olivier Cruveiller Olivier Cruveiller ... Axel
Jean-Baptiste Malartre ... Editeur
André Marcon ... Hattou
Elisabeth Mazev Elisabeth Mazev ... Visiteuse de l'appartement
Olivier Py Olivier Py ... Visiteur de l'appartement
Jean-Baptiste Montagut Jean-Baptiste Montagut ... Joseph Costa
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Storyline

A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up. Written by Josh Baudhuin <jambo@well.com>

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Genres:

Drama | Romance

Certificate:

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Did You Know?

Connections

Referenced in My Ex-Family: Pojken i flaskan (2004) See more »

Soundtracks

Cinquante Six
Written by Ali Farka Touré
Performed by Ali Farka Touré
© World Circuit Music. Courtesy of World Cirtuit Ltd
extrait de l'album "The Source"
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User Reviews

 
Another strong film from Assayas
23 June 2006 | by bastard_wisherSee all my reviews

I still didn't like this as much as "Demonlover" by a long stretch, but I thought it was a bit more well-executed than Irma Vep. The various aspects of Assayas's style are more fully integrated here, but I still find he has a tendency toward extended intellectual coffee shop dialogue (a la Godard) at times that I'm not crazy about, and which still doesn't mesh well with his penchant for moody visuals (in my opinion still is greatest strength). The film reminds me quite a bit of Michael Winterbottom's "Wonderland". Like that film, neither the characters nor the situations of the story are really that remarkable or interesting, but rather the movie derives it's strength from little fleeting moments. And also like Winterbottom, Assayas has an unfortunate tendency here to cut those moments slightly short. I found a number of times wanting scenes to continue longer than they did, building up more of that improvisational sense of intimacy, instead of frequently fading to black while the scene is still underway (similar to Winterbottom's "9 Songs"). Still, there are enough of those moments to make the film more than worthwhile. I definitely think it is Assayas's most approachable, warm film that I've seen. Not that I find he is necessarily a particularly cold or detached filmmaker ("Demonlover", if anything, may very well be a masterpiece of pure detachment and inhumanity, but I think that comes more from the concept of the film rather than the filmmaker, and "Irma Vep" was nothing if not a gushing love letter to his ex-wife, after all), but there seems to be a deliberate attempt in this film to capture something real and immediate, even if Assayas gets side tracked by the unfortunate boats of cerebral, intellectual café chatting.


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Details

Official Sites:

Zeitgeist Films

Country:

France

Language:

French

Release Date:

10 February 1999 (France) See more »

Also Known As:

Late August, Early September See more »

Filming Locations:

Paris, France See more »

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Box Office

Gross USA:

$69,400

Cumulative Worldwide Gross:

$75,622
See more on IMDbPro »

Company Credits

Production Co:

Dacia Films, Cinéa, Canal+ See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
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