Paired with her reliable and devoted chauffeur, Mrs Bradley's finely honed skills of investigation seek out the truth behind the mysteries surrounding a death at the opera, crimes of passion at a circus, poisoning and family secrets.
Hetty wakes on her 60th birthday and decides to become a private investigator. With assistance from a teenager called Geoffrey and her husband Robert, combined with her own common sense, Hetty is confident she can solve any case.
The series focused on various murders in the fictional suburban English town of Middleford. The crimes are solved by two female police detectives, Inspector Kate Ashurst and Sergeant Emma Scribbins, aka "Ash and Scribbs".
Mrs. Adela Bradley could be described as the naughty version of the rather dull Mrs. Marple: a quintessentially English lady sleuth, before the war, upper class, rich enough for a Rolls Royce with private driver (George Moody, her hunky and faithful assistant in nearly everything), a real socialite, always on the road, sassy, even provocative, an arrogant suffragette. But her sharp sense of observation and deduction still gets the better of the criminals every single time.Written by
I am puzzled by the negative reviews, not to mention the show producers' decision to pull the plug after airing just a handful of stories. Here we are in 2015, awash in much-acclaimed period costume TV dramas which serve up contrived, soap-ish plots and uneven dialogue - neither particularly at home in the prewar era they pretend to capture. By comparison, Mrs Bradley Mysteries sparkles. The exteriors and interiors alone are hypnotic. The acting is spot on. A great many feminist messages are shared but without rubbing the viewer's nose in it. There is wit and affection and murder mystery on par with Agatha Christie. I enjoyed every minute. Strongly recommended.
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