John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
Malcom Crowe (Bruce Willis)is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient (Donnie Wahlberg) . This boy "sees dead people". Crowe spends a lot of time with the boy much to the dismay of his wife (Olivia Williams). Cole's mom (Toni Collette) is at her wit's end with what to do about her son's increasing problems. Crowe is the boy's only hope.Written by
Jeff Mellinger <firstname.lastname@example.org>
All of the ghosts that Cole sees are wearing the same clothes and have the same bodily damage that had when they died. Even the ones who don't know they're dead still show their wounds. Malcolm's wound never shows up until he realizes he's dead. Additionally, he's able to wear different clothes and interact with his tape recorder, use files and other equipment.
Cole says, "They only see what they want to see," which neatly and intentionally explains why Bruce doesn't see his own blood until he realizes he's dead. Likewise, ghosts constantly interact with the real world, hence Cole's scratches, the poisoned girl's ability to give Cole the VHS tape, etc. Regarding Bruce's clothes, it appears he only adds/removes his jacket, but either way the explanation that he sees what he wants to see should be sufficient. See more »
It's getting cold.
That is one fine frame; one fine frame that is. How much...
[he sits down with a grunt]
See more »
The Spanish phrase "I don't want to die" that was played on the tape recorder in Malcolm's office is repeated after the credits. See more »
What makes this film so wonderful to watch is not simply the acting, or the terror it instills, or even the plot itself. It is the way in which the writer/director M. Night Shyamalan takes his vision from the page, and carefully crafts a tale that completely absorbs the viewer. As a result, we are treated to a wealth of emotion: fear, sadness, joy, confusion, and humor, each one a compliment to the other.
Haley Joel Osment delivers, plain and simple. By now, so much has been said about the young actor that any more would be repetition. Needless to say, his portrayal of Cole Sear is remarkable. His ability to communicate, through a simple look or gesture, the depths to which his character's soul has been thrust is what truly carries the film. He succeeds at this task beautifully, convincing us while never going over the top; indeed, by the time Cole utters his now-famous line, you not only believe him, you are chilled by the fact that Osment the actor may actually believe it himself.
Bruce Willis turns in a stellar performance, complimenting his young co-star while never overshadowing him. It is a tribute to his respect of the material in so much as he fine tunes his delivery to seem reserved, yet not too toned down.
The Sixth Sense is more than simply a wondrous two hours. It has, in effect, created a new genre of filmmaking... the film is neither drama, nor horror, nor action. Rather, it is a seamless blending of all three, a film that encompasses the best aspects of each genre, without being limited by the worst. Hollywood has taken notice of this, and one can only expect a series of poor imitations to follow. But at least they'll always have The Sixth Sense to guide the way.
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