The continuing quest of Frodo and the Fellowship to destroy the One Ring. Frodo and Sam discover they are being followed by the mysterious Gollum. Aragorn, the Elf archer Legolas, and Gimli the Dwarf encounter the besieged Rohan kingdom, whose once great King Theoden has fallen under Saruman's deadly spell.Written by
Although Wargs in the novel are described merely as looking like wolves, the filmmakers decided to add in elements of hyenas (which are not members of the wolf and dog family) to their build, to create a uniquely fearsome appearance. See more »
Aragorn's sword disappears from his hand shortly before he falls off his horse, but reappears in its scabbard later. See more »
Maybe he does deserve to die, but now that I see him I do pity him.
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One section of credits is for the "Hammerhands" (presumably for carpenters). This is a reference to the name of the "historical" founder of Helm's Deep, Helm Hammerhand. Also, apprentice builders are known as "hammerhands" in New Zealand. See more »
When Frodo, Sam, Gollum and Faramir arrive at Osgiliath in the Extended Edition, Minas Tirith can be seen in the background. It was removed from the theatrical version to avoid confusion with Helm's Deep. See more »
The Fellowship of the Ring was a monumentally entertaining film, the Return of the King was an amazing wrap-up to the epic of our times, but the most dramatic moment for me came at the end of the Two Towers. After 3 hours of sweeping vistas, excellent Shakespearean acting, and otherworldly sights and sounds, we are treated to a scene that still sends chills down my back and rouses me like nothing since the final scene in Rocky. A lone rider (we all know who), set against the top of a hill, massing legions of horsemen behind him. He appears just as the heroes are losing all hope. Once he begins his descent down the hill with his army behind him, the camera begins a slow pan over the top and down with them, showing the size and scale of their forces. The evil army below looks up with surprise, a bright light fills the screen, the camera focuses on the lead rider (again, we all know who) who lets out a wrenching battle cry, the music swells to unbelievable heights, and I am swept away like I've never been before.
This is cinema at its very best.
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