Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
The continuing quest of Frodo and the Fellowship to destroy the One Ring. Frodo and Sam discover they are being followed by the mysterious Gollum. Aragorn, the Elf archer Legolas and Gimli the Dwarf encounter the besieged Rohan kingdom, whose once great King Theoden has fallen under Saruman's deadly spell.Written by
The set for the Helm's Deep battle scene was built on location in New Zealand out of polystyrene over a period of seven months. See more »
When Pippin crawls toward Merry to talk to him, Merry is laying on his back. In the next shot, only one second later, he is laying on his side. See more »
Our time here is ending, Arwen's time is ending. Let her go... let her take the ship into the West. Let her bear her love for you to the Undying Lands, there it will be ever green...
...but never more than a memory.
See more »
One section of credits is for the "Hammerhands" (presumably for carpenters). This is a reference to the name of the "historical" founder of Helm's Deep, Helm Hammerhand. Also, apprentice builders are known as "hammerhands" in New Zealand. See more »
In the extended edition, the scene where Frodo and Sam are first captured by Faramir uses a different take. In the theatrical version, after giving the order to bind their hands, Faramir turns and walks away from camera. In the extended edition, after his extended dialogue and order to bind the hobbits, he walks towards camera. See more »
It seems ridiculous to want to add my own comments to a slew of others that are already in IMDB's records, but I feel like I cannot sleep nor cease the throbbing in my chest until I release some of what I have so recently seen.
Peter Jackson's The Lord of the Rings is one of the bravest projects ever attempted by a filmmaker. Mr Jackson deserves every ovation he will receive, every award, every bit of the praise and adoration that will be spoken and written.
This second installment of the story is a masterpiece in every sense, forget your prejudices about the books, they are another way of looking at this beautiful story (I know this is slightly against the rules, but a I cannot resist saying that a previous writers comment - a comment that compared the Lord of the Rings Films and Books to the difference between Romeo and Juliet in screenplay and ballet formats - was entirely accurate).
Gollum was an excellent amalgam, so easily could he have been an annoying Jar-Jar-Binks-Alike. Instead the way that Jackson and Serkis (and doubtless many many others) chose to portray the CGI incarnation of "Smeagol" was incredibly emotive and powerful. Gollum is profoundly disturbing, amusing, almost lovable... Not even John Ronald Reuel himself could induce that range of emotions for Smeagol in me...
A truly skin-crawling performance by a superb Brad Douris as the evil Grima Wormtongue was just beyond words. Douris _Became_ Wormtongue in a skillful fulfillment of what was already inspired casting.
Probably the most definitive casting of this film though was Manchester born Bernard Hill as Theoden, King of Rohan. The casting for "The Two Towers" makes one shake ones head and wonder, in retrospect, whether anyone else could have filled these roles. Mr Hill's performance was truly first rate, a performance which contributed greatly to "The Battle of Helms Deep", scenes which were a spinning tornado of emotions for the viewer.
Viggo Mortensen goes from strength to strength. His performance is visceral and yet sensitive. The overriding emotion that Tolkiens vision of Aragorn induced (at least for me) was awe at his heroics. Mortensen's portrayal in Jackson's frame brings new aspects to the Aragorn character. Mortensen's Aragorn is emotionally dextrous to go with his physical dexterity, he is sensitive, seemingly empathic, warmer and more fundamentally human, and yet super-human in presence and charisma. "Definitive" is not strong enough of a word.
If you still view Jackson's epic with scepticism I implore you to put down your preconceptions and your prejudices, but most of all put down the books... This is beautiful way to see middle earth, don't pass it up - The books are the ultimate fantasy epic - the pictures you draw in your head are better than anything you can imagine, but The Lord of the Rings "The Two Towers" is one wonderful interpretation of that epic story.
Go, Laugh, Cry, and Sit in Awe of this cinematic treat.
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