The continuing quest of Frodo and the Fellowship to destroy the One Ring. Frodo and Sam discover they are being followed by the mysterious Gollum. Aragorn, the Elf archer Legolas, and Gimli the Dwarf encounter the besieged Rohan kingdom, whose once great King Theoden has fallen under Saruman's deadly spell.Written by
Most of what is seen of the Black Gate is a miniature. There was no real location as such, and the scene where Frodo, Sam, and Gollum are on a hilltop was filmed indoors. The miniature of the Black Gates of Mordor was partly made of lead. See more »
During the battle of Helms Deep, when Legolas starts fighting with his knives you can clearly see there are no arrows left in his quiver. Later in the battle he's shooting arrows from his bow again. See more »
[after Boromir's inspiring speech]
Good speech. Nice and short.
Leaves more time for drinking!
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One section of credits is for the "Hammerhands" (presumably for carpenters). This is a reference to the name of the "historical" founder of Helm's Deep, Helm Hammerhand. Also, apprentice builders are known as "hammerhands" in New Zealand. See more »
The scene where Faramir interrogates Gollum is slightly different between the two versions. In the theatrical version, he enters the room only after his men have beaten Gollum. In the extended edition, he is in the room during the abuse, but stands apart, not actually taking part in it himself, before telling them to stop. See more »
The Fellowship of the Ring was a monumentally entertaining film, the Return of the King was an amazing wrap-up to the epic of our times, but the most dramatic moment for me came at the end of the Two Towers. After 3 hours of sweeping vistas, excellent Shakespearean acting, and otherworldly sights and sounds, we are treated to a scene that still sends chills down my back and rouses me like nothing since the final scene in Rocky. A lone rider (we all know who), set against the top of a hill, massing legions of horsemen behind him. He appears just as the heroes are losing all hope. Once he begins his descent down the hill with his army behind him, the camera begins a slow pan over the top and down with them, showing the size and scale of their forces. The evil army below looks up with surprise, a bright light fills the screen, the camera focuses on the lead rider (again, we all know who) who lets out a wrenching battle cry, the music swells to unbelievable heights, and I am swept away like I've never been before.
This is cinema at its very best.
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