When the menace known as The Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham. The Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a Wookiee and two droids to save the galaxy from the Empire's world-destroying battle station, while also attempting to rescue Princess Leia from the mysterious Darth Vader.
The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Frodo and Sam reach Mordor in their quest to destroy the One Ring, while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith.Written by
The deformed Orc leader Gothmog is only mentioned once in the original novel of The Lord of the Rings, identified only by name, and as the Lieutenant of Morgul. His race is not given. It was the filmmakers' choice to make him an Orc. The name Gothmog is shared with the leader of the Balrogs in Morgoth's army in "The Silmarillion", J.R.R. Tolkien's history of Middle-earth, several centuries before the events in The Lord of the Rings. See more »
When Aragorn meets the army of the dead, the elf leaf that hold his cape together changes. First its pointing left, then right again etc. See more »
Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Pull it in. Go on. Go on. Go on. Pull it in.
See more »
Christopher Lee, who played Saruman in the film was not originally credited at the end of the film as all the other main characters were because he did not appear in the theatrical version. For the Extended DVD however, he does appear in the film and justly gets his drawn character and name credit with the other actors. See more »
In December 2004, an extended edition of the movie was released on DVD, containing 50 minutes of new footage. It a complete re-cut of the movie and so almost every scene contains small changes in pacing, music, framing, etc. Some use slightly altered takes. Major changes are listed below (spoiler warning):
a) Some extra dialog in Merry and Pippin's first scene at Isengard, making them seem a little "stoned" from the pipe-weed.
b) A final confrontation between Gandalf and Saruman has been restored, including the final fates of Saruman and Grima Wormtongue and a slightly different acquisition of the Palantir.
c) The celebration at Edoras has a few extra little snippets, most notably a drinking game between Legolas and Gimli.
d) Right before Pippin takes the Palantir, Aragorn enters the Great Hall and has a conversation with Eowyn about a dream she had.
e) Extra dialog from Merry when Gandalf and Pippin leave.
f) An extra line of dialog when Pippin meets Denethor.
g) After Gandalf storms out of the White Tower, he has a long monologue explaining the history of Gondor to Pippin.
h) A new scene with Frodo, Sam and Gollum centered on the discovery of a ruined and defaced statue at the crossroads.
i) When Pippin and Gandalf are talking on the balcony, an alternate take is used in which Gandalf chokes on the smoke from his pipe.
j) After Frodo and Sam begin climbing the stairs, Sam warns and threatens Gollum not to betray them.
k) Additional footage when the Orcs cross the river showing they take the Gondorians by surprise.
l) More dialog from Faramir and more violence as well.
m) A scene in which Merry asks to serve Theoden and Gimli and Legolas wonder what is happening in Gimli's home.
n) After Faramir arrives in Gondor, there is a scene where Denethor confronts him for not taking the Ring, which includes an appearance by Boromir.
o) An additional scene between Pippin and Faramir before the former swears fealty to Denethor.
p) Additional dialog when Faramir is riding out of Gondor.
q) Additional lines from Eomer after he tells Eowyn not to encourage Merry.
r) An additional line of dialog when Aragorn says farewell to Eowyn.
s) More dialog from Legolas when he explains the Paths of the Dead. The Paths of the Dead sequence is heavily revised, including the appearance of thousands of skulls, wispy ghosts, an earthquake and Aragorn's emergence from the mountain.
t) We see Gothmog dismounting a warg as the siege of Gondor begins; additional action during the siege of Gondor, including the Orcs using a small battering ram on the gates and cheering on the approach of the huge battering ram, Grond.
u) A new scene in which Aragorn attacks the Corsair ships, which includes a cameo by Peter Jackson (he's the one killed by Legolas).
v) A scouting report is brought to Theoden on his way to Gondor; a conversation between Merry and Eowyn.
w) More footage as Denethor takes Faramir to be cremated alive.
x) As Gandalf is riding to rescue Faramir, he is attacked by the Witch King.
y) The charge of the Rohirrim is moved to after this scene.
z) Another line of dialog before Denethor lights his pyre.
aa) More action during the battle of the Pelennor, including a fight between Gothmog and Eowyn.
bb) After Eowyn kills the Witch King, Gothmog tries to finish her off.
cc) Pippin's search for Merry is much longer and he finds him at night.
dd) Eomer finds Eowyn on the field and mourns when he thinks she is dead. A restored healing sequence between Aragorn and Eowyn.
ee) A much longer fight among the Orcs in the tower of Cirith Ungol.
ff) After Sam rescues Frodo, we see a surviving Orc sneaking off with the Mithril shirt.
gg) Aragorn finds a Palantir in the White Tower and uses it to reveal himself to Sauron.
hh) Faramir and Eowyn meet in Minas Tirith after Aragorn leaves.
ii) Frodo and Sam, wearing a disguise of orc armor, are found and forced to march with a detachment of Orcs while trying to reach Mount Doom.
jj) Near Mt. Doom, Frodo and Sam throw away the last of their gear.
kk) While resting, Sam sees a star through the clouds.
ll) At the Black Gate, the Aragorn, Gandalf, Legolas, Gimli, Pippin, Merry, and Eomer are first confronted by the Mouth of Sauron. (This also induces a goof as his body & horse have disappeared when they retreat from the gate.)
mm) More dialog when Gollum (acting as Smeagol) attacks Frodo on Mt. Doom.
Just as Peter Jackson felt that LOTR had to be made as one large, three-part, cinematic piece, I decided to write my IMDb review of all three movies as a single, multi-part essay. Click on my screen-name and hit "Chronological" to view my reviews of the Fellowship and Two Towers. I make no guarantees about the quality and consistence of my review, but I do guarantee that these three films offer very high and very consistent quality from beginning to end. The acting, cinematography, art, and direction simply can not be beat.
Which of the three movies is my favorite varies with my mood and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.
Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.
The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.
The casting and acting are superb.
The film delivers at every level and is the jewel in the trilogy's well-earned crown.
Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.
Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.
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