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The Lord of the Rings: The Return of the King (2003)

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Gandalf and Aragorn lead the World of Men against Sauron's army to draw his gaze from Frodo and Sam as they approach Mount Doom with the One Ring.

Director:

Peter Jackson

Writers:

J.R.R. Tolkien (novel), Fran Walsh (screenplay) | 2 more credits »
Popularity
241 ( 15)
Top Rated Movies #7 | Won 11 Oscars. Another 198 wins & 122 nominations. See more awards »

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Cast

Cast overview, first billed only:
Noel Appleby Noel Appleby ... Everard Proudfoot
Ali Astin ... Elanor Gamgee (as Alexandra Astin)
Sean Astin ... Sam
David Aston ... Gondorian Soldier 3
John Bach ... Madril
Sean Bean ... Boromir
Cate Blanchett ... Galadriel
Orlando Bloom ... Legolas
Billy Boyd ... Pippin
Sadwyn Brophy Sadwyn Brophy ... Eldarion
Alistair Browning Alistair Browning ... Damrod
Marton Csokas ... Celeborn
Richard Edge Richard Edge ... Gondorian Soldier 1
Jason Fitch ... Uruk 2
Bernard Hill ... Theoden
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Storyline

The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Hobbits: Frodo and Sam reach Mordor in their quest to destroy the "one ring", while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith. Written by Jwelch5742

Plot Summary | Plot Synopsis

Plot Keywords:

orc | battle | journey | hobbit | ring | See All (245) »

Taglines:

This Christmas the journey ends. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense epic battle sequences and frightening images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

New Zealand | USA

Release Date:

17 December 2003 (USA) See more »

Also Known As:

The Lord of the Rings: The Return of the King See more »

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Box Office

Budget:

$94,000,000 (estimated)

Opening Weekend USA:

$72,629,713, 19 December 2003, Wide Release

Gross USA:

$377,845,905, 28 June 2011

Cumulative Worldwide Gross:

$1,119,929,521, 25 November 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Blu-Ray Extended Edition) | (Special DVD Extended Edition) | (DVD Widescreen Edition)

Sound Mix:

DTS-ES | Dolby Digital EX | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Since 2007, Composer Howard Shore and Conductor Ludwig Wicki have worked together to bring the movies to the concert hall, with the complete score being performed live to the movies by a complete symphony orchestra and chorus. See more »

Goofs

In the scenes when Pippin is lying in his couch in Meduseld, tormented by the urge to watch again the Palantir, next to him there's a Rohir sleeping. While when Pip stands up to go to Gandalf the proportions between the hobbit and the man are right, in the scene before, when he's helplessly trying to sleep (before the scene in main hall between Aragorn and Eowyn), Pippin looks about as high as the Rohir. See more »

Quotes

[first lines]
Deagol: Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Smeagol: Pull it in. Go on. Go on. Go on. Pull it in.
See more »

Crazy Credits

Concept sketches behind the credits show images of locations in the sequence they were seen in the film, ending on the rounded doors of the Shire. See more »

Alternate Versions

In some prints, the subtitles during Aragorn and Elrond's conversation (I give hope to men, I have kept none for myself) are missing. See more »

Connections

Referenced in An Evening with Kevin Smith 2: Evening Harder (2006) See more »

Soundtracks

The Green Dragon
Music by David Donaldson, David Long, Steve Roche (as Stephen Roche), and Janet Roddick
Lyrics by Philippa Boyens
Performed by Billy Boyd and Dominic Monaghan
Courtesy of Mana Music
See more »

Frequently Asked Questions

See more »

User Reviews

 
Part 3: It's Not Really the Thought that Counts
30 November 2007 | by mstomasoSee all my reviews

Just as Peter Jackson felt that LOTR had to be made as one large, three-part, cinematic piece, I decided to write my IMDb review of all three movies as a single, multi-part essay. Click on my screen-name and hit "Chronological" to view my reviews of the Fellowship and Two Towers. I make no guarantees about the quality and consistence of my review, but I do guarantee that these three films offer very high and very consistent quality from beginning to end. The acting, cinematography, art, and direction simply can not be beat.

Which of the three movies is my favorite varies with my mood – and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.

Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.

The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.

The casting and acting are superb.

The film delivers at every level and is the jewel in the trilogy's well-earned crown.

Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism – both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.

Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.


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