The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Frodo and Sam reach Mordor in their quest to destroy the One Ring, while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith.Written by
Like Billy Boyd earlier in this movie, Viggo Mortensen also composed the tune and sung the part to the song Aragorn sings at his coronation. The translation of the Elvish words runs "Out of the Great Sea to Middle Earth I am come. In this place I will abide, and my heirs, unto the ending of the world." This is, according to the book, the same verse Elendil sung when he first arrived in Middle-earth from Númenor. See more »
During the fight with Shelob, Sam is holding Frodo's sword which switches between Sam's right and left hand in between shots at least once. See more »
Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Pull it in. Go on. Go on. Go on. Pull it in.
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Just like the two previous "Lord of the Rings" movies, there are no opening credits after the title has been shown. See more »
In December 2004, an extended edition of the movie was released on DVD, containing 50 minutes of new footage. It a complete re-cut of the movie and so almost every scene contains small changes in pacing, music, framing, etc. Some use slightly altered takes. Major changes are listed below (spoiler warning):
a) Some extra dialog in Merry and Pippin's first scene at Isengard, making them seem a little "stoned" from the pipe-weed.
b) A final confrontation between Gandalf and Saruman has been restored, including the final fates of Saruman and Grima Wormtongue and a slightly different acquisition of the Palantir.
c) The celebration at Edoras has a few extra little snippets, most notably a drinking game between Legolas and Gimli.
d) Right before Pippin takes the Palantir, Aragorn enters the Great Hall and has a conversation with Eowyn about a dream she had.
e) Extra dialog from Merry when Gandalf and Pippin leave.
f) An extra line of dialog when Pippin meets Denethor.
g) After Gandalf storms out of the White Tower, he has a long monologue explaining the history of Gondor to Pippin.
h) A new scene with Frodo, Sam and Gollum centered on the discovery of a ruined and defaced statue at the crossroads.
i) When Pippin and Gandalf are talking on the balcony, an alternate take is used in which Gandalf chokes on the smoke from his pipe.
j) After Frodo and Sam begin climbing the stairs, Sam warns and threatens Gollum not to betray them.
k) Additional footage when the Orcs cross the river showing they take the Gondorians by surprise.
l) More dialog from Faramir and more violence as well.
m) A scene in which Merry asks to serve Theoden and Gimli and Legolas wonder what is happening in Gimli's home.
n) After Faramir arrives in Gondor, there is a scene where Denethor confronts him for not taking the Ring, which includes an appearance by Boromir.
o) An additional scene between Pippin and Faramir before the former swears fealty to Denethor.
p) Additional dialog when Faramir is riding out of Gondor.
q) Additional lines from Eomer after he tells Eowyn not to encourage Merry.
r) An additional line of dialog when Aragorn says farewell to Eowyn.
s) More dialog from Legolas when he explains the Paths of the Dead. The Paths of the Dead sequence is heavily revised, including the appearance of thousands of skulls, wispy ghosts, an earthquake and Aragorn's emergence from the mountain.
t) We see Gothmog dismounting a warg as the siege of Gondor begins; additional action during the siege of Gondor, including the Orcs using a small battering ram on the gates and cheering on the approach of the huge battering ram, Grond.
u) A new scene in which Aragorn attacks the Corsair ships, which includes a cameo by Peter Jackson (he's the one killed by Legolas).
v) A scouting report is brought to Theoden on his way to Gondor; a conversation between Merry and Eowyn.
w) More footage as Denethor takes Faramir to be cremated alive.
x) As Gandalf is riding to rescue Faramir, he is attacked by the Witch King.
y) The charge of the Rohirrim is moved to after this scene.
z) Another line of dialog before Denethor lights his pyre.
aa) More action during the battle of the Pelennor, including a fight between Gothmog and Eowyn.
bb) After Eowyn kills the Witch King, Gothmog tries to finish her off.
cc) Pippin's search for Merry is much longer and he finds him at night.
dd) Eomer finds Eowyn on the field and mourns when he thinks she is dead. A restored healing sequence between Aragorn and Eowyn.
ee) A much longer fight among the Orcs in the tower of Cirith Ungol.
ff) After Sam rescues Frodo, we see a surviving Orc sneaking off with the Mithril shirt.
gg) Aragorn finds a Palantir in the White Tower and uses it to reveal himself to Sauron.
hh) Faramir and Eowyn meet in Minas Tirith after Aragorn leaves.
ii) Frodo and Sam, wearing a disguise of orc armor, are found and forced to march with a detachment of Orcs while trying to reach Mount Doom.
jj) Near Mt. Doom, Frodo and Sam throw away the last of their gear.
kk) While resting, Sam sees a star through the clouds.
ll) At the Black Gate, the Aragorn, Gandalf, Legolas, Gimli, Pippin, Merry, and Eomer are first confronted by the Mouth of Sauron. (This also induces a goof as his body & horse have disappeared when they retreat from the gate.)
mm) More dialog when Gollum (acting as Smeagol) attacks Frodo on Mt. Doom.
Not only the best of the "Lord of the Rings" series, but sets a new standard of epic filmmaking.
Saying that this film starts where `Two Towers' left off is somewhat misleading, for the film starts a great distance from the walls of Helm's Deep. `Return of the King' opens with a flashback of Smeagol (Andy Serkis) obtaining the one ring of power and an origin of his deterioration into the creature Gollum. This opening recaptures an emphasis that was somewhat lost within the epic battles of `Two Towers,' at that's the ring. The first installment, `The Fellowship of the Ring,' provided heaps of exposition on the ring's importance and influence, and in `Return of the King,' we see it pay off, big time.
After the armies of Isengard have been defeated due to an allegiance between Theoden (Bernard Hill), the king of Rohan, and the elves, the main threat to middle earth is now concentrated in the kingdom of Mordor, controlled by the dark lord Sauron. Sauron has turned his eye towards the realm of Gondor, the last free kingdom of men, and the wizard Gandalf (Ian McKellan) must warn Denethor (John Noble), Steward of Gondor of the impending attack, while Aragorn (Viggo Mortenson), heir to the throne of Gondor, and Theoden gather men to aid against the armies of Mordor. The dark lord Sauron needs only to regain the one ring of power to conquer all of middle earth, and two hobbits, Frodo (Elijah Wood) the ring-bearer and Sam (Sean Astin), must continue their journey, directed by Gollum, to Mount Doom, the only place where the ring can be destroyed. Got all that? If not, you need to bone up on your `Lord of the Rings' before expecting to follow this film.
Since all three epics were filmed simultaneously, each individually has the feel of being part of a larger picture - except for this one. `The Return of the King' is just too big, the most epic of a set of epic films. Now that director Peter Jackson has brilliantly constructed the characters and plotlines throughout the first two films, he puts them to use.
All of the characters have their best moments within this film. The pair of mischievous hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), are no longer the tree ornaments they were from `Two Towers,' but are split-up, and take their characters in completely new directions. Aragorn, played with an unmatched sense of honor by Viggo Mortenson, is about to meet his destiny as the future king of all men, while Andy Serkis continues his expert portrayal of Gollum (Serkis' provided not only the voice of Gollum, but also assisted during production by acting out the scenes of the computer-generated character with his fellow actors).
However, the real acting triumph of the film is Elijah Wood as Frodo Baggins. He continues his descent into corruption with an incredible talent that many could not pull off. Wood's performance is so critical to the film because it determines the ring's power to corrupt, which, needless to say, is absolute.
The first two films established Jackson as an incredible visionary, shooting vast landscapes from his native New Zealand. With `Return of the King,' Jackson really gets a chance to show off. With, hands down, the most beautiful visuals of the trilogy, Jackson makes `Return of the King' a gorgeous feast for the eyes, while never resorting to McG level over-the-topness. Jackson stays very grounded in his characters, not letting the effects tell the story, but only assist the wonderful dialogue and characters. Think of `Return' as a mix of `Fellowship' and `Two Towers,' with enough action and character development worthy of ending a film event of this magnitude.
The bottom line, fans of the films will not be disappointed. Hardcore Tolkien lovers might be upset by plot changes and interpretations made by Jackson and the other writers, however, it is unrealistic to expect a completely true adaptation of the novels, being that film is an entirely different medium. Despite the alterations, Jackson consistently stays true to the major themes and ideas from the original text, while adding some of the finest filmmaking ever put to screen. `The Lord of the Rings: The Return of the King' is one of the most finely tuned and cinematically perfect films ever made. Not only the best of the trilogy, but a crowning achievement in epic filmmaking.
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