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Hellboy (2004)

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A demon, raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness.

Director:

Guillermo del Toro

Writers:

Guillermo del Toro (screenplay), Guillermo del Toro (screen story) | 2 more credits »
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Popularity
745 ( 356)
3 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ron Perlman ... Hellboy
John Hurt ... Trevor "Broom" Bruttenholm
Selma Blair ... Liz Sherman
Rupert Evans ... John Myers
Karel Roden ... Grigori Rasputin
Jeffrey Tambor ... Tom Manning
Doug Jones ... Abe Sapien
Brian Steele ... Sammael
Ladislav Beran ... Karl Ruprecht Kroenen
Biddy Hodson ... Ilsa Haupstein (as Bridget Hodson)
Corey Johnson ... Agent Clay
Kevin Trainor ... Young "Broom"
Brian Caspe ... Agent Lime
James Babson ... Agent Moss
Stephen Fisher ... Agent Quarry
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Storyline

In the final days of World War II, the Nazis attempt to use black magic to aid their dying cause. The Allies raid the camp where the ceremony is taking place, but not before a demon - Hellboy - has already been conjured. Joining the Allied forces, Hellboy eventually grows to adulthood, serving the cause of good rather than evil. Written by Brian Barjenbruch

Plot Summary | Plot Synopsis

Plot Keywords:

nazi | demon | superhero | hero | assassin | See All (172) »

Taglines:

From the Dark Side to Our Side See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sci-fi action violence and frightening images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Russian

Release Date:

2 April 2004 (USA) See more »

Also Known As:

Ellespuika See more »

Filming Locations:

Czech Republic See more »

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Box Office

Budget:

$66,000,000 (estimated)

Opening Weekend USA:

$23,172,440, 4 April 2004, Wide Release

Gross USA:

$59,623,958

Cumulative Worldwide Gross:

$99,414,250
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

DTS (DTS HD Master Audio 5.1) (5.1 Surround Sound) (5.1)| Dolby Digital (Dolby Digital 5.1) (5.1 Surround Sound) (5.1)| SDDS (8 channels) (5.1 Surround Sound) (5.1)| D-Cinema 48kHz 5.1 (D-Cinema prints) (5.1 Surround Sound) (5.1)

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The biggest challenge for the location scouting, was finding an area to film the New Jersey rooftop scene, as it was proven that Prague didn't have many locations that can serve as an American city. After many false starts, Del Toro finally found the right street for the scene to be filmed, which had to be redressed to look more American. See more »

Goofs

When Hellboy stops the car by slamming his hand into the bonnet and flips the car, the grille and bumper are seen to break off the front and as it flips over the grille about to fall on Hellboy, but when the car lands the grille and bumper are nowhere to be seen. See more »

Quotes

[first lines]
Professor Trevor 'Broom' Bruttenholm: What is it that makes a man a man? Is it his origins, the way things start? Or is it something else, something harder to describe? For me it all began in 1944, a classified mission off the coast of Scotland. The Nazis were desperate. Combining science and black magic, they intended to upset the balance of the war. I was 28, already a paranormal advisor to President Roosevelt. I could never have suspected that what would transpire that night would not only effect the course of ...
See more »

Crazy Credits

There is a scene in the closing credits: Dr. Manning tries to contact his team, while a shadow passes by. See more »

Connections

Featured in Troldspejlet: Episode #51.2 (2014) See more »

Soundtracks

Red Right Hand
Written by Nick Cave, Thomas Wydler and Mick Harvey
Produced by R. Walt Vincent and Pete Yorn
Performed by Pete Yorn
Courtesy of Columbia Records
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Frequently Asked Questions

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User Reviews

Great entertainment delivered in a visually stylish package
20 June 2008 | by ametaphysicalsharkSee all my reviews

Guillermo Del Toro's "Hellboy" is really the sort of comic book adaptation that should be commonplace- a film that feels every bit like a comic book in its energy, style, and visual feel, but is entirely worthy on a cinematic level as well.

Sadly, "Hellboy" doesn't really have much of a plot, at least for half of its running time. Its first hour is Hellboy fighting squids and the mandatory character introductions, and its second hour feels pretty rushed as a result, having to introduce and resolve the bulk of the film's story. Thankfully, however, "Hellboy" avoids the comic book-to-film cliché of basing the first film of any given franchise on the 'superhero origin story' (not that Hellboy is much of a superhero, he's really just a smartass with a gun, except he's from hell), instead keeping all that to a short and dazzling pre-credits sequence. Other than the somewhat rushed and oddly-placed plot aspects, Del Toro's screenplay is fairly impressive, providing plenty of nods towards the comics and a good amount of wit and humor, also echoing the nature of Mike Mignola's work.

The most impressive aspects of "Hellboy" are Del Toro's direction and Guillermo Navarro's photography. Del Toro was always a superb director in terms of visuals, although I've had issues with several of his scripts. His most accomplished film to date in this regard would probably be the superb "The Devil's Backbone", but "Hellboy" shows that he has a surprising knack for directing action in a fluid manner without resorting to the cheap method of quick cutting. Also notable in terms of Del Toro's work here is how he subtly manages to pay homage to the memorable artwork of the comics, for example the overhead shots of Hellboy.

The CGI effects are quite good considering the film's relatively modest budget, and thankfully they don't form the basis for much of this film. The cast are all solid if not fantastic, although Ron Perlman is probably the best actor I can think of to play Hellboy. The final shot is beautiful and perfectly in keeping with the pulp poetry of not only this film but also the comics it is based on.

8/10


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