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Mulholland Dr. (2001)

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After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

Director:

David Lynch

Writer:

David Lynch
Popularity
515 ( 25)
Nominated for 1 Oscar. Another 47 wins & 57 nominations. See more awards »

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Cast

Cast overview, first billed only:
Naomi Watts ... Betty / Diane Selwyn
Jeanne Bates ... Irene
Dan Birnbaum ... Irene's Companion
Laura Harring ... Rita / Camilla Rhodes (as Laura Elena Harring)
Randall Wulff Randall Wulff ... Limo Driver (as Scott Wulff)
Robert Forster ... Detective McKnight
Brent Briscoe ... Detective Domgaard
Maya Bond Maya Bond ... Aunt Ruth
Patrick Fischler ... Dan
Michael Cooke ... Herb
Bonnie Aarons ... Bum
Michael J. Anderson ... Mr. Roque
Joseph Kearney Joseph Kearney ... Roque's Manservant
Enrique Buelna ... Back of Head Man
Richard Mead Richard Mead ... Hairy-Armed Man
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Storyline

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A woman in search of stardom. A woman in search of herself - in the city of dreams. A key to a mystery - lies somewhere on Mulholland Drive. See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | USA

Language:

English | Spanish

Release Date:

19 October 2001 (USA) See more »

Also Known As:

Mulholland Drive See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$587,591, 14 October 2001, Limited Release

Gross USA:

$7,220,243

Cumulative Worldwide Gross:

$20,112,339
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

David Lynch: [Clueless detectives] See more »

Goofs

Director Adam Kesher's frenzied attack on the Castigliane brother's limousine immediately scatters pigeons in the far distance, but only when he finally knocks out a headlight (a relatively minor impact) do the pigeons directly behind the car fly up. See more »

Quotes

[first lines]
Rita: What are you doing? We don't stop here.
See more »

Crazy Credits

In the credits to Mulholland Dr., actor Chad Everett is mistakenly listed as playing Jimmy Katz; the name of Everett's character is actually Woody Katz. See more »

Alternate Versions

Some scenes were deleted to shorten the running time of the movie. Some of the missing scenes are:
  • An additional scene of the detectives McKnight and Domgaard in the police station talking about the car crash the previous night on Mulholland Drive.
  • A full scene of dialog with the hit man Joe and the pimp Billy in Pinky's Hot Dog stand with Joe asking about information on the missing woman and about the hot dogs served while the drugged out streetwalker Laney looks on.
  • An scene of the Castigliane limo arriving outside Adam Kesher's house where the goon, Kenny, gets out and talks briefly with Taka, the Japanese gardener in the driveway asking if he has seen Adam recently.
  • A scene of Betty arriving on the studio lot and meeting Martha Johnson outside the producer's office and Wally coming out the front door to meet her and take her inside.
  • An extended scene showing the introduction of Mr. Roque of Vincent Darby entering a large office building and taking an elevator to one of the top floors and asking the receptionist if he could enter Mr. Roque's office.
  • During the scene where Mr. Roque relays the message 'the girl is still missing' to various unseen associates, when the unseen man with the hairy arm on the yellow telephone rings his contact, the original scene was not of a telephone under a lamp with a red shade, but a white speaker phone on a bright blue table and a woman's hand (Camila Rhodes?) answering it, but cutting away before she says anything.
  • The scene of Adam meeting with the executives is longer with him first arriving holding a iron golf club demanding why he has been called away from the golf course to this meeting and Ray giving him a vague explanation to the movie he's filming. The scene ends with the Castigliane brothers leaving first and Adam yelling at the executives over them rigging the casting of the lead actress and about the film being kept locked up in the studio safe.
  • A bit scene where after the bruiser Kenny knocks unconscious Adam's wife and the pool man, he walks around Adam's house and sees Adam's wife's jewelry in the kitchen sink which is overflowing with water. Kenny then is shown breaking all of Adam's golf clubs as payback for trashing the limo and then leaves telling the gangsters in the back of the limo that Adam's not home.
  • There is another scene introducing Wilkins (Scott Coffee) who lives in a studio loft above Betty Elms's apartment where Adam phones him just before his meeting with the Cowboy and telling Wilkins about finding his wife in bed with the pool man, and asks Wilkins if he could come over to stay for a while since he has no money. Wilkins agrees, and after hanging up, he yells at his dog crouched in a corner about relieving himself all over the place.
See more »

Connections

References Twin Peaks (1990) See more »

Soundtracks

Go Get Some
Written by David Lynch and John Neff
Performed by David Lynch and John Neff
By Arrangement with Bobkind Music
From the album "Blue Bob"
See more »

Frequently Asked Questions

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User Reviews

 
This is why this movie is brilliant... actually... never mind.
22 February 2004 | by ikonoklastikSee all my reviews

10/10

Recently, I read an excerpt from a book by Dennis Lim called "David Lynch: The Man from Another Place." In it, the author mentions how much Lynch despises interpretation of his work. He writes:

"Writing about David Lynch, it can be hard not to hear his voice in your head, protesting the violence being done to his work. 'As soon as you put things in words, no one ever sees the film the same way,' he once told me. 'And that's what I hate, you know. Talking—it's real dangerous.' Not for nothing does "Mulholland Drive," the Lynch movie that has invited the most fervent flurry of explication, end with a word of caution: 'Silencio.'"

This reminded me that 11 years before this edit I had written this very review on IMDb, which contained an interpretation of the film's plot. I've decided to remove all of that. Whether or not you are satisfied with a particular interpretation of the plot should be irrelevant to your enjoyment of the film. I enjoyed it before I had that satisfying interpretation. And I'm hoping that I can clear it from my mind the next time I watch "Mulholland Dr."

I will leave one thing from my original post. A quote by Peter Greenaway. "I would argue that if you want to write narratives, be an author, be a novelist, don't be a film maker. Because I believe film making is so much more exciting in areas which aren't primarily to do with narrative."


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