After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.Written by
The note pinned to the robe Aunt Ruth left on the bed for Betty reads, "Enjoy yourself, Bitsie. Love, Aunt Ruth." See more »
During the long tracking shot of the mob goon (Kenny) entering the director's house, a crew member is reflected in the window. See more »
What are you doing? We don't stop here.
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In the credits to Mulholland Dr., actor Chad Everett is mistakenly listed as playing Jimmy Katz. The name of Everett's character is actually Woody Katz. See more »
The theatrical version contains 26 minutes of newly shot and restored footage; the TV version of Mullholand Drive, shot in 1999, originally ran at just over 100 minutes and ended at Betty's apartment after helping Rita cut her hair and put a blond wig on; an additional deleted scene had Betty running out of the apartment to the roof where Rita joined her and both of them looking out over Los Angeles where Betty says "I have arrived" and Rita saying the same. The final shot in the TV pilot version has the mysterious bum sitting in the alley behind Winkie's Restaurant and holding the mysterious blue box. New footage shot for the theatrical version includes:
The theatrical ending where David Lynch goes back and tells the story of Diane; in the TV pilot, it ends where Rita (Camilla) opens the mysterious blue box.
An additional 6 minutes of expanded 'reshoots' that Studio Canal had David Lynch shoot for the theatrical release.
We all love to have our minds toyed with but sitting through a David Lynch film is like having your brain removed entirely. This film is no different as it proves that Lynch (Next to Bunuel) is a master surealist film maker.
The film sees a young girl known only as Rita trying to remember who she is. The whole "girl with amnesia" plot make a lot of sense until about 3/5 of the way through the film when something that can only be described as a Lynchian Pandora's Box is opened. We are then tormented with a demonic homeless man, a mysterious Spanish play house and shrunken people before it all finishes in very dramatic, surreal David Lynch fashion.
This film is perfect. There is no other way to describe such a great piece of work. It is flawless because it is helmed by a man that knows everything about his craft and is not afraid to show it off. This sort of film has been sorely missed since his last outing, Lost Highway, in 1996. It's good to see Lynch at his old game and lets just hope in future that he produces more gems just like this.
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