After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.Written by
The set of reels that was distributed to the movie theaters included a computer-written, photocopied note from director David Lynch himself giving special instructions to the projectionists worldwide. Specifically, he did not want the film to be centered vertically on the screen, but rather to "allow more overhead" as the term in projectionist's slang, that is, to let the top part of the frame be more visible than the bottom part. This was because the film was originally made for TV, with an aspect ratio of 1.78:1 (or 16:9) in mind -- without the projectionists' manual correction, the aspect ratio of the theatrical release (1.85:1) would have resulted in heads being cut off at the top of the silver screen. Lynch also asked to raise the volume of the theater's sound system by three decibels when the film was playing. The note ended with the words, "Your friend, David Lynch." See more »
At the moment of impact in the opening car crash, an explosion reveals that the white car is devoid of its three joyriding occupants. See more »
What are you doing? We don't stop here.
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In the credits to Mulholland Dr., actor Chad Everett is mistakenly listed as playing Jimmy Katz; the name of Everett's character is actually Woody Katz. See more »
The theatrical version contains 26 minutes of newly shot and restored footage; the TV version of Mullholand Drive, shot in 1999, originally ran at just over 100 minutes and ended at Betty's apartment after helping Rita cut her hair and put a blond wig on; an additional deleted scene had Betty running out of the apartment to the roof where Rita joined her and both of them looking out over Los Angeles where Betty says "I have arrived" and Rita saying the same. The final shot in the TV pilot version has the mysterious bum sitting in the alley behind Winkie's Restaurant and holding the mysterious blue box. New footage shot for the theatrical version includes:
The theatrical ending where David Lynch goes back and tells the story of Diane; in the TV pilot, it ends where Rita (Camilla) opens the mysterious blue box.
An additional 6 minutes of expanded 'reshoots' that Studio Canal had David Lynch shoot for the theatrical release.
"Mulholland Dr." is something else. It is a film that will make you question your own sanity in many ways. Naomi Watts is the young, starry-eyed Canadian that wants to make it big in Hollywood. She is naive and thinks that dreams can come true if you want them bad enough. Watts discovers a very beautiful woman with amnesia (Laura Harring in a sizzling performance) in her aunt's house in L.A. and she becomes determined to help Harring out. Harring is mysterious and her near-fatal car crash occurred on the dark and winding Mulholland Dr. Throughout several oddball and very dark scenes take place. A young director (Justin Theroux) learns that Hollywood is run by strange underworld figures that are quiet, but ruthless. Another strange side-story is the mysterious man behind the diner that is seen in another character's dreams. An inept assassin also runs around causing unwanted trouble for himself and others. Then of course there are cameos by Robert Forster and Billy Ray Cyrus. The film twists into darkness as it progresses as Watts' and Harring's relationship turns sexual. A fine line between reality and fantasy is skewered and it comes down to a strange Pandora's box that holds the true secrets to "Mulholland Dr.". Oscar-nominated director David Lynch also shows that not all you see and hear is real, even though one's mind might think so. The film seems artificial at times, showing Hollywood as a nice place where dreams can come true. But then the dreams are turned into vivid nightmares of what could possibly be the true reality. David Lynch somehow makes this whole thing work and he makes it work beautifully in this reviewer's opinion. The film is a trumped-up version of "The Twilight Zone" and it adds many techniques that made Alfred Hitchcock the true master of suspense. Many wonder what this film is truly about. I am not sure. I am not sure Lynch even knows, but I am going to give it a shot. "Mulholland Dr." is the dark side of the human condition. It is a film that shows how easy one can lose one's soul if bad elements are let in. There are figures that seem somewhat supernatural to me in this movie. It seems that many of the characters are "messengers" that are all after one thing: Naomi Watts' soul. Watts lets the elements in and in the end she cannot overcome them. What she thinks she wants seems attractive on the outside, but there are cobras on the inside that will be too strong to fight off. In short, "Mulholland Dr." is a brilliant piece of film-making and it is brilliant due to its unique aspects and the fact that it is what one thinks it is. There is no right or wrong answer and it is a film that makes you think. "Mulholland Dr." is a complicated puzzle for the minds of cinema fanatics. 5 stars out of 5.
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