After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.Written by
When the Castigliane brothers enter the room and sit down at the table (at 0:28), Vincenzo Castigliane (Dan Hedaya) opens the briefcase, takes out an envelope and slides it across the table to Mr. Darby. The opening of the envelope is on the upper side, but when it arrives to Mr. Darby, he turns it to open it, so the opening is on the bottom side. See more »
What are you doing? We don't stop here.
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The only time we see the full title spelled out is at the end of the end credits; during the opening credits there is only a street sign that says "Mulholland Dr". See more »
Some scenes were deleted to shorten the running time of the movie. Some of the missing scenes are:
An additional scene of the detectives McKnight and Domgaard in the police station talking about the car crash the previous night on Mulholland Drive.
A full scene of dialog with the hit man Joe and the pimp Billy in Pinky's Hot Dog stand with Joe asking about information on the missing woman and about the hot dogs served while the drugged out streetwalker Laney looks on.
An scene of the Castigliane limo arriving outside Adam Kesher's house where the goon, Kenny, gets out and talks briefly with Taka, the Japanese gardener in the driveway asking if he has seen Adam recently.
A scene of Betty arriving on the studio lot and meeting Martha Johnson outside the producer's office and Wally coming out the front door to meet her and take her inside.
An extended scene showing the introduction of Mr. Roque of Vincent Darby entering a large office building and taking an elevator to one of the top floors and asking the receptionist if he could enter Mr. Roque's office.
During the scene where Mr. Roque relays the message 'the girl is still missing' to various unseen associates, when the unseen man with the hairy arm on the yellow telephone rings his contact, the original scene was not of a telephone under a lamp with a red shade, but a white speaker phone on a bright blue table and a woman's hand (Camila Rhodes?) answering it, but cutting away before she says anything.
The scene of Adam meeting with the executives is longer with him first arriving holding a iron golf club demanding why he has been called away from the golf course to this meeting and Ray giving him a vague explanation to the movie he's filming. The scene ends with the Castigliane brothers leaving first and Adam yelling at the executives over them rigging the casting of the lead actress and about the film being kept locked up in the studio safe.
A bit scene where after the bruiser Kenny knocks unconscious Adam's wife and the pool man, he walks around Adam's house and sees Adam's wife's jewelry in the kitchen sink which is overflowing with water. Kenny then is shown breaking all of Adam's golf clubs as payback for trashing the limo and then leaves telling the gangsters in the back of the limo that Adam's not home.
There is another scene introducing Wilkins (Scott Coffee) who lives in a studio loft above Betty Elms's apartment where Adam phones him just before his meeting with the Cowboy and telling Wilkins about finding his wife in bed with the pool man, and asks Wilkins if he could come over to stay for a while since he has no money. Wilkins agrees, and after hanging up, he yells at his dog crouched in a corner about relieving himself all over the place.
We all love to have our minds toyed with but sitting through a David Lynch film is like having your brain removed entirely. This film is no different as it proves that Lynch (Next to Bunuel) is a master surealist film maker.
The film sees a young girl known only as Rita trying to remember who she is. The whole "girl with amnesia" plot make a lot of sense until about 3/5 of the way through the film when something that can only be described as a Lynchian Pandora's Box is opened. We are then tormented with a demonic homeless man, a mysterious Spanish play house and shrunken people before it all finishes in very dramatic, surreal David Lynch fashion.
This film is perfect. There is no other way to describe such a great piece of work. It is flawless because it is helmed by a man that knows everything about his craft and is not afraid to show it off. This sort of film has been sorely missed since his last outing, Lost Highway, in 1996. It's good to see Lynch at his old game and lets just hope in future that he produces more gems just like this.
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