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Mulholland Dr. (2001)

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After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.

Director:

David Lynch

Writer:

David Lynch
Popularity
795 ( 48)
Nominated for 1 Oscar. Another 47 wins & 58 nominations. See more awards »

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Cast

Cast overview, first billed only:
Naomi Watts ... Betty / Diane Selwyn
Jeanne Bates ... Irene
Dan Birnbaum ... Irene's Companion
Laura Harring ... Rita / Camilla Rhodes (as Laura Elena Harring)
Randall Wulff Randall Wulff ... Limo Driver (as Scott Wulff)
Robert Forster ... Detective McKnight
Brent Briscoe ... Detective Domgaard
Maya Bond Maya Bond ... Aunt Ruth
Patrick Fischler ... Dan
Michael Cooke ... Herb
Bonnie Aarons ... Bum
Michael J. Anderson ... Mr. Roque
Joseph Kearney ... Roque's Manservant
Enrique Buelna ... Back of Head Man
Richard Mead Richard Mead ... Hairy-Armed Man
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Storyline

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

A Love Story In The City Of Dreams See more »


Motion Picture Rating (MPAA)

Rated R for violence, language and some strong sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | USA

Language:

English | Spanish

Release Date:

19 October 2001 (USA) See more »

Also Known As:

Mulholland Drive See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$587,591, 14 October 2001, Limited Release

Gross USA:

$7,220,243

Cumulative Worldwide Gross:

$20,112,339
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This was Ann Miller's last full-length movie. See more »

Goofs

When the Castigliane brothers enter the room and sit down at the table (at 0:28), Vincenzo Castigliane (Dan Hedaya) opens the briefcase, takes out an envelope and slides it across the table to Mr. Darby. The opening of the envelope is on the upper side, but when it arrives to Mr. Darby, he turns it to open it, so the opening is on the bottom side. See more »

Quotes

[first lines]
Rita: What are you doing? We don't stop here.
See more »

Crazy Credits

The only time we see the full title spelled out is at the end of the end credits; during the opening credits there is only a street sign that says "Mulholland Dr". See more »

Alternate Versions

Some scenes were deleted to shorten the running time of the movie. Some of the missing scenes are:
  • An additional scene of the detectives McKnight and Domgaard in the police station talking about the car crash the previous night on Mulholland Drive.
  • A full scene of dialog with the hit man Joe and the pimp Billy in Pinky's Hot Dog stand with Joe asking about information on the missing woman and about the hot dogs served while the drugged out streetwalker Laney looks on.
  • An scene of the Castigliane limo arriving outside Adam Kesher's house where the goon, Kenny, gets out and talks briefly with Taka, the Japanese gardener in the driveway asking if he has seen Adam recently.
  • A scene of Betty arriving on the studio lot and meeting Martha Johnson outside the producer's office and Wally coming out the front door to meet her and take her inside.
  • An extended scene showing the introduction of Mr. Roque of Vincent Darby entering a large office building and taking an elevator to one of the top floors and asking the receptionist if he could enter Mr. Roque's office.
  • During the scene where Mr. Roque relays the message 'the girl is still missing' to various unseen associates, when the unseen man with the hairy arm on the yellow telephone rings his contact, the original scene was not of a telephone under a lamp with a red shade, but a white speaker phone on a bright blue table and a woman's hand (Camila Rhodes?) answering it, but cutting away before she says anything.
  • The scene of Adam meeting with the executives is longer with him first arriving holding a iron golf club demanding why he has been called away from the golf course to this meeting and Ray giving him a vague explanation to the movie he's filming. The scene ends with the Castigliane brothers leaving first and Adam yelling at the executives over them rigging the casting of the lead actress and about the film being kept locked up in the studio safe.
  • A bit scene where after the bruiser Kenny knocks unconscious Adam's wife and the pool man, he walks around Adam's house and sees Adam's wife's jewelry in the kitchen sink which is overflowing with water. Kenny then is shown breaking all of Adam's golf clubs as payback for trashing the limo and then leaves telling the gangsters in the back of the limo that Adam's not home.
  • There is another scene introducing Wilkins (Scott Coffee) who lives in a studio loft above Betty Elms's apartment where Adam phones him just before his meeting with the Cowboy and telling Wilkins about finding his wife in bed with the pool man, and asks Wilkins if he could come over to stay for a while since he has no money. Wilkins agrees, and after hanging up, he yells at his dog crouched in a corner about relieving himself all over the place.
See more »


Soundtracks

Pretty 50's
Written by David Lynch and John Neff
Performed by David Lynch and John Neff
By Arrangement with Bobkind Music
From the album "Blue Bob"
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Frequently Asked Questions

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User Reviews

 
Lynch at his very best!
1 October 2002 | by kleskerSee all my reviews

We all love to have our minds toyed with but sitting through a David Lynch film is like having your brain removed entirely. This film is no different as it proves that Lynch (Next to Bunuel) is a master surealist film maker.

The film sees a young girl known only as Rita trying to remember who she is. The whole "girl with amnesia" plot make a lot of sense until about 3/5 of the way through the film when something that can only be described as a Lynchian Pandora's Box is opened. We are then tormented with a demonic homeless man, a mysterious Spanish play house and shrunken people before it all finishes in very dramatic, surreal David Lynch fashion.

This film is perfect. There is no other way to describe such a great piece of work. It is flawless because it is helmed by a man that knows everything about his craft and is not afraid to show it off. This sort of film has been sorely missed since his last outing, Lost Highway, in 1996. It's good to see Lynch at his old game and lets just hope in future that he produces more gems just like this.

5/5


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