After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.Written by
This film was chosen by "Les Cahiers du cinéma" (France) as the best picture of the decade (in 2010). See more »
When the Castigliane brothers enter the room and sit down at the table (at 0:28), Vincenzo Castigliane (Dan Hedaya) opens the briefcase, takes out an envelope and slides it across the table to Mr. Darby. The opening of the envelope is on the upper side, but when it arrives to Mr. Darby, he turns it to open it, so the opening is on the bottom side. See more »
What are you doing? We don't stop here.
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The only time we see the full title spelled out is at the end of the end credits; during the opening credits there is only a street sign that says "Mulholland Dr". See more »
The DVD and VHS versions of the film were self-censored by Lynch for sexual content. He had an additional blurring effect added to Laura Harring's crotch in the scene where she climbs into bed with 'Naomi Watts (I)'. The blurring was requested by David Lynch himself because he disapproved of nude pictures of Harring being distributed on the Internet. See more »
This is why this movie is brilliant... actually... never mind.
Recently, I read an excerpt from a book by Dennis Lim called "David Lynch: The Man from Another Place." In it, the author mentions how much Lynch despises interpretation of his work. He writes:
"Writing about David Lynch, it can be hard not to hear his voice in your head, protesting the violence being done to his work. 'As soon as you put things in words, no one ever sees the film the same way,' he once told me. 'And that's what I hate, you know. Talking—it's real dangerous.' Not for nothing does "Mulholland Drive," the Lynch movie that has invited the most fervent flurry of explication, end with a word of caution: 'Silencio.'"
This reminded me that 11 years before this edit I had written this very review on IMDb, which contained an interpretation of the film's plot. I've decided to remove all of that. Whether or not you are satisfied with a particular interpretation of the plot should be irrelevant to your enjoyment of the film. I enjoyed it before I had that satisfying interpretation. And I'm hoping that I can clear it from my mind the next time I watch "Mulholland Dr."
I will leave one thing from my original post. A quote by Peter Greenaway. "I would argue that if you want to write narratives, be an author, be a novelist, don't be a film maker. Because I believe film making is so much more exciting in areas which aren't primarily to do with narrative."
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