After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of kindness, intelligence and sophistication.
A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.Written by
The set of reels that was distributed to the movie theaters included a computer-written, photocopied note from director David Lynch himself giving special instructions to the projectionists worldwide. Specifically, he did not want the film to be centered vertically on the screen, but rather to "allow more overhead" as the term in projectionist's slang, that is, to let the top part of the frame be more visible than the bottom part. This was because the film was originally made for TV, with an aspect ratio of 1.78:1 (or 16:9) in mind -- without the projectionists' manual correction, the aspect ratio of the theatrical release (1.85:1) would have resulted in heads being cut off at the top of the silver screen. Lynch also asked to raise the volume of the theater's sound system by three decibels when the film was playing. The note ended with the words, "Your friend, David Lynch." See more »
At the moment of impact in the opening car crash, an explosion reveals that the white car is devoid of its three joyriding occupants. See more »
What are you doing? We don't stop here.
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Credits have the movie director's name as 'Bob Booker' (not 'Brooker' as we hear). Furthermore, many of the characters' names are simply not mentioned at all during the course of the film (Billy Deznutz, Joe Messing, Bondar, etc.) but their character's names are all listed in the closing credits. See more »
Some scenes were deleted to shorten the running time of the movie. Some of the missing scenes are:
An additional scene of the detectives McKnight and Domgaard in the police station talking about the car crash the previous night on Mulholland Drive.
A full scene of dialog with the hit man Joe and the pimp Billy in Pinky's Hot Dog stand with Joe asking about information on the missing woman and about the hot dogs served while the drugged out streetwalker Laney looks on.
An scene of the Castigliane limo arriving outside Adam Kesher's house where the goon, Kenny, gets out and talks briefly with Taka, the Japanese gardener in the driveway asking if he has seen Adam recently.
A scene of Betty arriving on the studio lot and meeting Martha Johnson outside the producer's office and Wally coming out the front door to meet her and take her inside.
An extended scene showing the introduction of Mr. Roque of Vincent Darby entering a large office building and taking an elevator to one of the top floors and asking the receptionist if he could enter Mr. Roque's office.
During the scene where Mr. Roque relays the message 'the girl is still missing' to various unseen associates, when the unseen man with the hairy arm on the yellow telephone rings his contact, the original scene was not of a telephone under a lamp with a red shade, but a white speaker phone on a bright blue table and a woman's hand (Camila Rhodes?) answering it, but cutting away before she says anything.
The scene of Adam meeting with the executives is longer with him first arriving holding a iron golf club demanding why he has been called away from the golf course to this meeting and Ray giving him a vague explanation to the movie he's filming. The scene ends with the Castigliane brothers leaving first and Adam yelling at the executives over them rigging the casting of the lead actress and about the film being kept locked up in the studio safe.
A bit scene where after the bruiser Kenny knocks unconscious Adam's wife and the pool man, he walks around Adam's house and sees Adam's wife's jewelry in the kitchen sink which is overflowing with water. Kenny then is shown breaking all of Adam's golf clubs as payback for trashing the limo and then leaves telling the gangsters in the back of the limo that Adam's not home.
There is another scene introducing Wilkins (Scott Coffee) who lives in a studio loft above Betty Elms's apartment where Adam phones him just before his meeting with the Cowboy and telling Wilkins about finding his wife in bed with the pool man, and asks Wilkins if he could come over to stay for a while since he has no money. Wilkins agrees, and after hanging up, he yells at his dog crouched in a corner about relieving himself all over the place.
Warning: watching this movie could activate confusion.
David Lynch movies can confuse people, to say the very least. It's all because he picks an unique approach, with both his writing and directing, that isn't focused on explaining everything that is happening on screen.
It's why basically everybody has their own little theories on what "Mulholland Dr." is all about. It's funny how incredibly diverse most of them are and this is also the greatest power of this David Lynch movie. Everybody can look at it- and experience it differently and form their own opinions about it. So it's basically pointless to read or hear other people speaking about "Mulholland Dr.", since chances are you'll get something totally different out of the movie. So yes, also my opinion about it is also of course completely irrelevant.
To be fair, it isn't unique for a director to tell his story in such a way that it leaves almost everything completely up to the viewer's own imagination and interpretation. But David Lynch is the only 'mainstream' director at the moment that still makes movies this way. It's the reason why he has such an huge following and every time a new Lynch movie gets released people go nuts over it, even when they have no idea what they have just seen.
And no, I also really have no idea yet what I have just witnessed. Who knows, maybe I'll understand it better on repeated viewings but understanding it is not the key to liking or appreciate this movie, fore I regardlessly really liked and appreciated the experience that this movie offered me.
Great thing is that the movie always keeps on fascinating you and is forcing to keep paying attention and search for clues that are hidden in it. The movie is basically a mystery, in which different story lines and different characters get followed, that seemingly have very little to do with each other but at one point do come together or are relevant to each other. It keeps you glued to your seat, even though you might have no idea what is exactly going on. The movie forces you to put things together for yourself, since the actual movie itself offers very little explanation to anything. As a matter of fact, the last few minutes even make the movie all the more confusing, instead of wrapping things up and explaining to you what the story was truly about and what exactly was real in the movie and what wasn't.
Personally my theory about the movie is that it's all about alternate realities, coexisting with each other, that at one point got somehow mixed up (due to the accident?). Every time the blue box gets used, a new alternate reality get opened, which explains why some of the characters in the movie switch identities and certain events seem to have changed or never even happened. But who am I to explain a David Lynch movie to you, while David Lynch himself is probably the only one walking this Earth that truly knows what the movie is all about or perhaps he himself also doesn't. He just loves to mess with people's minds, so it isn't even completely unthinkable that some elements of the movie were never supposed to make any sense at all and he's laughing at all of us for trying to explain his movies.
But really, this is a movie you could talk about for all day long but in the end it really is something you have to experience for yourself and form your own judgment and interpretation on it. But let me just tell you that no matter how confusing this movie, you still get intrigued and sucked in by it, due to the way it all got shot and told by David Lynch.
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