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Anna and the King (1999)

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The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.


Andy Tennant


Anna Leonowens (diaries), Steve Meerson (screenplay) | 1 more credit »
Nominated for 2 Oscars. Another 12 nominations. See more awards »





Cast overview, first billed only:
Jodie Foster ... Anna
Yun-Fat Chow ... King Mongkut (as Chow Yun-Fat)
Bai Ling ... Tuptim
Tom Felton ... Louis
Syed Alwi Syed Alwi ... The Kralahome
Randall Duk Kim ... General Alak
Kay Siu Lim Kay Siu Lim ... Prince Chowfa (as Lim Kay Siu)
Melissa Campbell Melissa Campbell ... Princess Fa-Ying
Keith Chin Keith Chin ... Prince Chulalongkorn
Mano Maniam Mano Maniam ... Moonshee
Shanthini Venugopal Shanthini Venugopal ... Beebe
Deanna Yusoff Deanna Yusoff ... Lady Thiang
Geoffrey Palmer ... Lord John Bradley
Ann Firbank ... Lady Bradley
Bill Stewart Bill Stewart ... Mycroft Kincaid


This is the story of Anna Leonowens, the English schoolteacher who came to Siam in the 1860s to teach the children of King Mongkut. She becomes involved in his affairs, from the tragic plight of a young concubine to trying to forge an alliance with Britain to a war with Burma that is orchestrated by Britain. In the meantime, a subtle romance develops between them. Written by Tommy Peter

Plot Summary | Add Synopsis


Drama | History | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some intense violent sequences | See all certifications »

Parents Guide:

View content advisory »





English | Thai | French

Release Date:

17 December 1999 (USA) See more »

Also Known As:

Anna See more »

Filming Locations:

Santa Clarita, California, USA See more »


Box Office


$92,000,000 (estimated)

Opening Weekend USA:

$5,223,416, 19 December 1999, Wide Release

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

Dolby Digital | SDDS | DTS


Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »

Did You Know?


The real King Mongkut was paralyzed on one half of his face, a fact omitted from the film. See more »


Upon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China. The Chinese emperor in 1862, the Tongzhi Emperor, was only six years old at the time and unmarried. Even after marriage, he had 5 consorts- significantly less than Mongkut's 23 wives and 42 concubines. See more »


[first lines]
King Chulalongkorn: She was the first English woman I had ever met. And it seemed to me she knew more about the world than anyone. But it was a world Siam was afraid would consume them. The monsoon winds had whispered her arrival like a coming storm. Some welcomed the rain, but others feared a raging flood. Still she came, unaware of the suspicion that preceded her. But it wasn't until years later, that I began to appreciate how brave she was, and how alone she must have felt. An English woman. The ...
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Referenced in 7 Numara (2000) See more »


Jade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
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Frequently Asked Questions

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User Reviews

Flawed, but good anyway. The romance felt real; the visuals are spectacular!
16 January 2000 | by bopdogSee all my reviews

This is a good movie, and it's very much worth seeing. Visually it is stunning-- the fake palace they built, and the geography is well worth the price. There are some complications that make it less than great, however. These problems might be inherent in the material-- adapting an actual English lady's actual diary. Should one poke fun at the colonializing 19th century British? The various "local" political rivals who evidently were more than willing to accept British trade and other "help" in exchange for fulfillment of personal ambitions? Or does one go entirely modern and politically correct, and pretend that the entire planet was a Berkeley coffee house just waiting for a chance to express neo-Marxist thought?

This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.

The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.

But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."

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