7.7/10
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10 user 3 critic

The Fountain of Youth (1958)

A couple is conflicted when they are offered a chance at youth.

Director:

Orson Welles

Writers:

John Collier (story "Youth from Vienna"), Orson Welles
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1 win. See more awards »

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Cast

Credited cast:
Marjorie Bennett ... Journalist
Madge Blake ... Journalist
Billy House ... Albert Morgan
Rick Jason ... Alan Brody
Nancy Kulp ... Stella Morgan
Joi Lansing ... Carolyn Coates
Dan Tobin ... Humphrey Baxter
Orson Welles ... Host / narrator
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Storyline

A couple is conflicted when they are offered a chance at youth.

Plot Summary | Add Synopsis

Genres:

Short | Romance

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Details

Country:

USA

Language:

English

Release Date:

16 September 1958 (USA) See more »

Also Known As:

The Orson Welles Show See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.33 : 1
See full technical specs »

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User Reviews

 
THE FOUNTAIN OF YOUTH (TV) (Orson Welles, 1958) ***1/2
19 March 2010 | by Bunuel1976See all my reviews

Orson Welles' sole directorial foray into TV-land was filmed for, of all people, Desilu Productions; this episode was to have been the first of a proposed series but it was never actually transmitted and the show was unceremoniously cancelled! Consequently, it has become the rarest of Welles' completed works and I only happened across it via a battered print with occasional combing issues! The modest list of 'dramatis personae' required to tell the tale – of a scientist, with a crush on a much younger blonde "femme fatale", who takes revenge on her and the playboy she deserts him for via the very anti-aging serum he had been away researching – ensures that no established stars were involved in the production (except for rotund character actor Billy {BEDLAM (1946)} House in a supporting role) but Welles himself provides intermittent bemused on-screen narration to flesh out the narrative gaps. Apart from being, on the one hand, an intriguing brush with Sci-Fi on Welles' part, the film is a highly-stylized, experimental piece of work in its own right – with brilliant uses of close-ups, shadowy lighting and even stills to enact the story in the most effective and economical manner possible. Indeed, based exclusively on the evidence here, Welles might well have revolutionized the TV medium (as he had previously done to stage, radio and screen) had he been given more of a chance...


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