Alabama; 1969: The death of a clan's estranged wife and mother brings together two very different families. Do the scars of the past hide differences that will tear them apart, or expose truths that could lead to unexpected collisions?
A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced... See full summary »
I like to be up when there ain't nobody else up. Feels like the whole world's asleep. Can't nuthin' get ya or bother ya. Ya know?
Well, it seems to me that's when everything *can* get you. That's when folks get knocked in the head, and shot, cut up and everything, at night.
I don't want to think about things like that right now. If your gonna keep talkin' about it, you'll have to sleep on the couch.
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I will be the first to admit that I was skeptical about Thorton writing and directing this movie. And since I was (still am) going through a complicated divorce when I saw the movie, it made me cringe a few times in the first half of the movie. Up until Julia had her outburst - after that, things started to converge. Without giving away too much, I'll say that I can easily compare this movie to a symphony that is unconventional in the sense that it doesn't have a climax where a naive audience expects it to be. However, the first half being full of dissonance and stark tones, that almost magically become resolved into a harmony.
Seeing as though the IMDb patrons gave this movie only barely more than a 5 score, what I am going to say now will be controversial: I think Thorton is a freaking genius, and I am glad I watched this movie. For me, this is a solid 8 stars.
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